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http://lunanuovaartemusica.blog.espresso.repubblica.it/lunanuovaartemusica/
Friday, December 19, 2008
Pain Between Should Blades And Hips
PRESS FOUNDATION OF
dA YEAR WILL FIND THE FOLLOWING LINK TO BLOG:
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Catholic Confirmation Letter Example
Liegro
Don Luigi Di Liegro The Foundation is pleased to invite on 19 December from 18.00 at the charity auction of contemporary art exhibition entitled
"global footprint. indelible ink. impression of the art" at the
'ISA-Fire Prevention Institute, Via Trade 13 - Rome.
International Foundation of Don Luigi Di LiegroVia Mortaro, RomaTel 2600187 / fax: 06 69 92 04 86 www.fondazionediliegro.it
Group exhibition of contemporary art
global footprint
indelible ink. Footprints in a workmanlike
by Daniel ARZENTO
Monday, December 15, 2008, 18.00
All the days, hours 10.00-13.00/16.00-19.00
ISA - Istituto Superiore firefighting, Via Trade 13 - Rome
Monday, December 15, 2008, at 18:00, at the ISA - Fire Prevention Institute, will take place the exhibition of contemporary art Global Footprint - indelible ink. Footprints of the art, edited by Daniel ARZENTO.
The event brings together nearly three hundred national and international artists, is the last stop before the end of the auction proceeds will be donated to the Grandmothers of Plaza de Mayo ", in order to support their project" Blood Bank and laboratory research on the genetic DNA, which is necessary to find the missing children of the disappeared, torn political opponents during the dictatorship and Argentina never recovered. The exhibition
indelible ink. Footprints of the art was presented for the first time in 2003 at the Macro - Museo d'Arte Contemporanea in Rome. This exhibition is of great value that has been highly successful, becoming a true work in progress. In recent years, in fact, increased significantly the number of works and parts of the exhibition has traveled throughout Italy and abroad.
The theme of the exhibition takes its cue from the debate some time ago on the fingerprint requirements for immigrants, to extend more broadly to the theme of the instruments of control in contemporary society. On these issues were involved cultural figures, entertainment, opinion leaders, political figures and spontaneous public, who have given their "contribution" on canvas by impressing their fingerprints. Among the characters who have "donated" their footprints: Nobel laureate Lech Walesa, the singer Vasco Rossi, the Roma captain Francesco Totti, the critic Maurizio Calvesi art, the Honorable Massimo D'Alema, the director Michelangelo Antonioni, the actress Claudia Cardinale, are just some of the more than five hundred known names. Following some 300 artists, among the most talented in the international scene, having completed the work, leaving their "indelible artistic impression, through your own language: photography, video, sculpture, installation.
The exhibition, the curator Daniele ARZENTO explains: "It is a path that winds passing through a return to art and a provocative reference to personal identity and values \u200b\u200bof tolerance."
All those who participated in this event have not only thought about how to make a theme, have rather chosen to join an initiative that exposure occurred from the beginning as the construction of a small movement to support, expression, historical memory, with respect to a series of events that reflect individual and collective conscience of our time.
The event, organized by the cultural Horti Lamiani Betti, by Hybrid Contemporary and Joseph Ussani of Escobar, is supported by the Fondazione Internazionale Don Luigi di Liegro and the Province of Rome. Department IX - No. 3 service "Immigration and Emigration." 
Don Luigi Di Liegro The Foundation is pleased to invite on 19 December from 18.00 at the charity auction of contemporary art exhibition entitled
"global footprint. indelible ink. impression of the art" at the
'ISA-Fire Prevention Institute, Via Trade 13 - Rome.
International Foundation of Don Luigi Di LiegroVia Mortaro, RomaTel 2600187 / fax: 06 69 92 04 86 www.fondazionediliegro.it
Group exhibition of contemporary art
global footprint
indelible ink. Footprints in a workmanlike
by Daniel ARZENTO
Monday, December 15, 2008, 18.00
All the days, hours 10.00-13.00/16.00-19.00
ISA - Istituto Superiore firefighting, Via Trade 13 - Rome
Monday, December 15, 2008, at 18:00, at the ISA - Fire Prevention Institute, will take place the exhibition of contemporary art Global Footprint - indelible ink. Footprints of the art, edited by Daniel ARZENTO.
The event brings together nearly three hundred national and international artists, is the last stop before the end of the auction proceeds will be donated to the Grandmothers of Plaza de Mayo ", in order to support their project" Blood Bank and laboratory research on the genetic DNA, which is necessary to find the missing children of the disappeared, torn political opponents during the dictatorship and Argentina never recovered. The exhibition
indelible ink. Footprints of the art was presented for the first time in 2003 at the Macro - Museo d'Arte Contemporanea in Rome. This exhibition is of great value that has been highly successful, becoming a true work in progress. In recent years, in fact, increased significantly the number of works and parts of the exhibition has traveled throughout Italy and abroad.
The theme of the exhibition takes its cue from the debate some time ago on the fingerprint requirements for immigrants, to extend more broadly to the theme of the instruments of control in contemporary society. On these issues were involved cultural figures, entertainment, opinion leaders, political figures and spontaneous public, who have given their "contribution" on canvas by impressing their fingerprints. Among the characters who have "donated" their footprints: Nobel laureate Lech Walesa, the singer Vasco Rossi, the Roma captain Francesco Totti, the critic Maurizio Calvesi art, the Honorable Massimo D'Alema, the director Michelangelo Antonioni, the actress Claudia Cardinale, are just some of the more than five hundred known names. Following some 300 artists, among the most talented in the international scene, having completed the work, leaving their "indelible artistic impression, through your own language: photography, video, sculpture, installation.
The exhibition, the curator Daniele ARZENTO explains: "It is a path that winds passing through a return to art and a provocative reference to personal identity and values \u200b\u200bof tolerance."
All those who participated in this event have not only thought about how to make a theme, have rather chosen to join an initiative that exposure occurred from the beginning as the construction of a small movement to support, expression, historical memory, with respect to a series of events that reflect individual and collective conscience of our time.
The event, organized by the cultural Horti Lamiani Betti, by Hybrid Contemporary and Joseph Ussani of Escobar, is supported by the Fondazione Internazionale Don Luigi di Liegro and the Province of Rome. Department IX - No. 3 service "Immigration and Emigration."
Tuesday, December 9, 2008
Fire Emblem Sword Of Seals English Patch
indelible ink
PRESS
indelible ink
by Daniel ARZENTO
Monday, December 15, 2008, 18.00
All the days, hours 10.00-13.00/16.00-19.00
ISA - Fire Prevention Institute, Via Trade 13 - Rome
Monday, December 15, 2008, at 18:00, at the ISA - Fire Prevention Institute, will take place the exhibition of contemporary art Global Footprint - indelible ink. Footprints of the art, edited by Daniel ARZENTO.
The event brings together nearly three hundred national and international artists, is the last stop before the end of the auction proceeds will be donated to the Association "Grandmothers of the Plaza del Mayo", in order to support their project "Blood Bank and laboratory research on the genetic DNA, which is necessary to find the missing children of the disappeared, torn political opponents during the Argentine dictatorship and never found. The exhibition
indelible ink. Footprints of the art was presented for the first time in 2003 at the Macro - Museo d'Arte Contemporanea in Rome. This exhibition is of great value that has been highly successful, becoming a true work in progress. In recent years, in fact, have increased significantly the number of works and parts of the exhibition has traveled throughout Italy and abroad. The
theme of the exhibition takes its cue from the debate some time ago on the fingerprint requirements for immigrants, to extend more broadly to the theme of the instruments of control in contemporary society. On these issues were involved cultural figures, entertainment, opinion leaders, political figures and spontaneous public, who have given their "contribution" on canvas by impressing their fingerprints. Among the characters who have "donated" their footprints: Nobel laureate Lech Walesa, the singer Vasco Rossi, the Roma captain Francesco Totti, the art critic Maurizio Calvesi, the Honorable Massimo D'Alema, the director Michelangelo Antonioni The actress Claudia Cardinal, are just some of the more than five hundred known names. Following some 300 artists, among the most talented in the international scene, having completed the work, leaving their "indelible artistic impression, through your own language: photography, video, sculpture, installation.
The exhibition, the curator Daniele ARZENTO explains: "It is a path that winds passing through a return to art and a provocative reference to personal identity and values \u200b\u200bof tolerance."
All those who participated in this event have not only thought about how to make a theme, have rather chosen to joined the initiative: an exhibition that presented itself from the beginning as the construction of a small movement of support, of expression, historical memory, with respect to a series of events that reflect individual and collective conscience of our time .
The event, organized by the cultural Horti Lamiani Betti, by Hybrid Contemporary and Joseph Ussani of Escobar, is supported by the Fondazione Internazionale Don Luigi di Liegro and the Province of Rome. Department IX - No. 3 service "Immigration and Emigration."
artists
Claudio Abate, Carla Accardi, Luca Alinari , Goofy Altomare, Roberto Almagno , Amadori Gabriele, Enrica Antonioni, Michelangelo Antonioni, Gloria Argelès, Claudio Ascenzi, Nanni Balestrini, Ballet & Mercandelli, Gianpiero Barchiesi, Ivan Barlafante , Gianfranco Baruchello , Matthew Basilè, Mauro Bellucci, Alessandro Bellucco , Henry Benavides, Marco Bernardi , Bertugno Simon, Michela Bevilacqua, Domenico Bianchi, Bianco & Valente, Caterina Biocca, Claudio Bissattini , Andrea Boldrini , Pippo Borrello , Botto & Bruno, Martha Boyden, Danilo Bucchi , gut Lorenzo, Pietro Calabrese , Ennio Calabria, Califano Ferdinando, Domenico Campisano, Stefano Campitelli, Francesco Canini, Alessandro Cannistrà , Captain Joseph , Federico Caramadre Ronconi, Valentina Charter , Arturo Casanova, Tommaso Cascella, Aegisthus Catalan Giorgio Cavalieri, Andrea Claro, Bruno Ceccobelli, Giacinto Cerone, Sandro Chia, Izumi Chiaraluce, Francesco Clemente, Roberto Coda Zabetta , Angelo Colagrossi , Marco Colazzo , Simona Contini , Mario Corso, Angelo Jacks, Enzo Cucchi, Dario Cusani , Monica Dabicco, Dafni & Papadatos, Verena D'Alessandro, Franco Danieli, Fabio De Benedettis , Luigi De Blasio Athos, Monique De Cesar, Lucio Del Pezzo , Constance Del Heads, Ottaviano Del Turkish, Anna Del Vecchio, Roberto De Simone , Gianni Dessì, Claudio Di Carlo, Sandra Di Coste, Marcello Di Donato, Giuseppe Di Lorenzo , Fernando Di Nucci, Balbo Diodato, Mauro Di Silvestre, Stefano Di Stasio, Salvatore Dominelli, Robert Donatelli, David Orlandi Dormin, Rocco Dubb, Aldo Omar Echegoy, Paclite Echaurren, Lello Esposito, Adolfo Perez Esquivel , Marilu Eustachio , Alessandra Fabbri, Stefania Fabrizi , Giuseppe Fanfani, Marco Fantini, Paolo Fiorentino, Rodolfo Fiorenza, Giosetta Fioroni, Luis River, Peter Fortune, Massimiliano Fuksas, Flora Fu Na Lie, Scarlett Fumasoni, Omar Galliani, Leonardo Galliano, Joseph Gallo, Paola Gandolfi , Marco Gastini , Ghenzer Francis, Dana Giallanella, Alessandro Gianvenuti, Andrea Giglio, Domenico Giglio, Simone Giovagnorio , Nadia Gistri, Salvatore Giunta , Emilio Giusti, Luca Guatelli, Federico Guida, Paul Harbutt , Fathi Hassan , Jessica Iapino , Francesco Impellizzeri, Silvia Iorio, Antonella Iovinella , Stefano Iraci, maria Rosa Jijòn, Mimmo Jodice , Richard Journo , Olga Kass , Thorsten Kirchhoff, Alessandro Kokocinki, Maya Kokocinki, Mark Kostabi, Paul Kostabi, Joseph Kosuth, Jannis Kounellis, Micaela Lattanzio , Ana Maria Laurent , Marisa Laurito , Emilio Leofreddi , Alfonso Leto, Stefano Levi della Torre, Felice Levine, Giancarlo Lemons HH Lim, Loyola Marco, Antonio Lombardi , Brunella Longo, Longo Claire, Adele Lotito, Tiziano Lucci, Lughi , Mary Grace Long, Giulia Lusikova , Enrico Luzzi, Raffaele Maddaluno, Mafonso , Serafino Maiorano, Renato Mambor, Flavia Mantovan , Riccardo Marchetti , Leonetta Marcotulli, Claudia Marini, Gino Marotta, Rowena Mastragostino, Marinella Masala, Antonio Mastronunzio, Gianluigi Matthias Eliseo Mattiacci, Fabio Mauri, Karl Klaus Mehrkens, Sandro Mele, Fedddeeerica Mercuri, Nicola Mette , Mezzacappa Marco, Sabrina Miconi , Ivo Milazzo, Sabina Mirri, Patrizia Molinari , Giordano Montorsi, Joseph Monzo, Sukran Moral, Christian Morandini Flares, Magali Moulinier, Franco Mulas, Peter Mussini, Italo Mustone, Nagasawa, Barbara Nahmad , Richard Nonas, Nunzio, Luigi Alders, Andrea Orsini, Luca Masters , Mimmo Paladino, Vito Palladino, Claudio Palmieri, Daniela Papadia , Marina Paris, Arcangela Lia Parisi, Tonino Loris Paroli, Alberto Parres, Anthony Pass, Frank Pastore, Luca Maria Patella, Antonio Mario Pelosi, Cesar Perez, Beppe Perrone, Perrone Lucio, Roberto Perciballi, Christian Petrucci, Donato Piccolo, Pierro Alessio, Cesare Pietroiusti Gisella Pietrosanti , Luca Pignatelli, Alfredo Pirri, Vettor Pisani, Michelangelo Pistoletto, Matteo Pizzarello, Piero Pizzi Cannella, Elizabeth pinched , Ivan Polidoro, Simone Pontecorvo, Sergio Premoli , Emilio Prini, Eliana Prosperi , Nicola Pucci, Alessandro Pultrone , Agnese Purgatorio , Oliviero Rainaldi, Helene Rallo, Franco Rasma , Tobia Rava , Mauro Reggio , Renzogallo , Patrick Curley, Fabiana Roscioli, Giovanni Rizzoli , Emanuele Robustelli , Anna Romanello, Carmelo Romeo, Mimmo Rotella, Rox in the box , Saturday Elia, Barbara Salvucci, Samorì Nicola, Mario Sasso, Maurizio Savini, Othello Scatolini , Italo Scelza, Scolamiero Vincenzo, Luigi Serafini, Giancarlo Serra, Eugenio Sgaravatti , Nunzio Solendo, Nicola Spezzano, marilena Sutera, Taravelia , Pocket Star, Maurizio Tiberi, Marco Tirelli, Ivano Tomat, Luciano Trina , Serge Uberti Paul Valle, Carla Veronese, Igor Verrilli , Antonello Viola , Fiorenzo Zaffina , Claudia Zuriato
Celebrities who have left their mark:
Tonino Accolla, Elsa Agalbato, Giorgio Albertazzi, Franco Alfieri, Elda Alvigini, Nino Amendola, Michelangelo Antonioni and Enrica, Apicella, Renzo Arbore, Micol Assael, Avion Travel, Dario Argento, Louis Bacalov, Barbara Balz, Claudio Baglioni, Silvia Baraldini, Marina Bargnesi, Bartolo, Antonio Bassolino, Isa Barzizza, Giovanni Bellini, Alessandro Benvenuti, Sonia Bergamasco, Giovanni Berlinguer, Luigi Berlinguer, Fausto Bertinotti, Bertugno Simone, Rodolfo Biancalani, Dorina Bianchi, Rosy Bindi, Laura Boldrini, Salvatore Bonadonna, Gaetano Bonifati, Achille Bonito Oliva, Willer Bordon, Raoul Bova, White Arms Torso, Eleonora Brigliadori, Flavio Bucci, Romolo Bulla, Bulla Rosalba, Aldo Busi, Svetlana Bzenica, Marcos Cafu, Giuseppe, Sabina Calabrese and children, Maria Rosa Calderoni, Ferdinand Califano Carlo Callieri, Giorgia Calo, Maurizio Calvesi, Adele Cambria, Rossana Campo, Henry and Fausto Cantagalli, Fabio Capello, Estela, Claudia, Livia Caputo, Claudia Cardinale, Simone Carella, Ivo and Carlota Remo, Francesco "Peak" Carrera, Valentina Carta, Benedetto Carucci Viterbi, Elenoire Casalegno, Arturo Casanova, Luca Casarini, Caterina Caselli, Maurizio Cattelan, Helen Cavallo, Ceccobelli Bruno, Paolo Cento, Guido Ceronetti , Janis Chaplin, Giulietto Church, Eduardo Cicelin, Don Luigi Ciotti, Benito Ciucci, Oberdan Ciucci, Andrea Claro, Fernanda Contri, Franco Corleone, Bruno Cora, Ludovico Corrao, Pappi Corsicato, Lella Costa, Paul the content, Paolo Crepet, Maddalena Crippa, Renato Curcio, Sandro Curzi, Sergio Cusani and Dario, Massimo D'Alema, Lucio Dalla, Serena Dandini, Nino D'Angelo, Franco Danieli, Massimo Dapporto, Walter De Cesaris, Ennio De Concini, Piera Degli Esposti, Ottaviano Del Turkish, Vega De Martini, Mimmo De Masi, Calogero Di Gesù, Fabiola Di Gianfilippo, Stefano Dionisi, Don Guerino Di Tora, Antonino Di Meco, our growth, Umberto Donati, Danilo Eccher, Pablo Echaurren, Adolfo Perez Esquivel, Louis Fadica, Ferracuti Stefano, Mario Fiorentini, Adriana Fonzi Cruciani, Dino Frisullo, Massimiliano Fuksas, Prospero Gallinari, Don Andrea Gallo, Annaisa Garcea, Anita Garibaldi, Matteo Garrone, Anna Gentile, Claudia Gerini, Sister Asolo Gervasi, Massimo Ghini, Gholamreza Razg, Fabrizio Gifuni, Joseph Giannetti, Louis Jordan, Eleonora Giorgi, Remo Girone, Nancy Gorgona, Luca Guatelli, Roberto Gramiccia, Fulvio Grimaldi and the dog Nando, Andrea Griminelli, Sabina Guzzanti, Alessandro Haber, Damien Hirst, Caterina Iaquinta, Anibal Ibarra, Imma Indigo, Alex Infascelli, Pino I teach, Walter Irvine, Italian Unstable Orchestra, Richard Journo, Alessandro Kokocinski, Matthew Kranner, Roberta Lanfranchi, Gabriele La Porta, Javier Guerra Laspiur, Luisa Briganti Graduates Marisa Laurito, Stefano Levi della Torre, Consilia Licciardi, Joseph Licciardi, Gaetano Liguori, Brunella Longo, Silvio Lotringer, Mario Luzi, Myriam Mafai, Michel Maffesoli, Mafonso, Lucio Magnani Gianni Maimeri, Memo Mancini, Luigi Manconi, Manisco, Fiorella Mannoia, Carlo Marchioli, Alessandro Margara, Franco Marini, Fabrizio and Antonio Marras, Francesco Martone, Simonetta Martone City, Maselli, Valerio Mastandrea, John Mastrangelo, Beppe Marvell, Elio Matacena, Michael Megaro, Mita Medici, Giovanna Melandri, Nicola Mette, vo Milazzo, Formichi Cristina Moglia, Sukran Moral, Domenico Morelli, Raffaele Morese, Italo Moretti, Enrico Moriconi, Magali Moulinier, Vittorio Mucci, Luigi Maria Musati, Fabio Mussi, Anna Negri and son, Tony Negri, Luigi Nieri, Gigi Novelli, Don Vittorio Nozza, Luigi Alders, Lorenzo Ostuni, Ottombrino Lucia, Angela Pace, Rita Pacifici , Assunta Paravati, Simona Pari, Arturo Parisi, Lorenzo Parlati, Maria Rita Parsi, Omar Pedrini, Maria Rosaria Perrella, Savino Pezzotta, Jorge Peris, Tracey Phillips, Mario Pirani, Vettor Pisani, Gabriella Pistone, Platinette, Gillo Pontecorvo, Sandro Portelli, Ludovico Pratesi, Patty Pravo, Sergio Premoli, Francesco Prosperetti, Nicola Pucci, Marco Simon Puccioni, Clotilde Punzo, Andrea Purgatori, Franca Rame, Ali Rachid, Rasma Franco, Lidia Ravera , Remo Remotti Retina.it, Franco Righetti, Nino Rinaldi, Gianni Rinaldini, Marco Risi, Vito Riviello, Vittorio Roid, Vasco Rossi, Francesco Rutelli, Arion Salazar, Oscar Arias SanchezMassimilano Saints, Elisa Santoni, Fabio Sargentini SARZIN Cesare, Aldo Chiavone, Mimmo Scognamiglio, Alfredo Scotti Beppe Servillo, Luca Signorelli, Massimiliano Emery, Solendo nuncio, Giovanni Russo Spena, Adriana Spera, Nicholas Spina, Stalker, Rolando Stefanelli, Vittorio Storaro, students of Fine Arts in Naples, Peter Stein, Gino Strada, Patrick H. Taiolini, Saverio Tatino, Vittorio Taviani, Carla Teti, The Childres foot prints, Peter Tide, Tommassini Luca, Francesco Totti, Tiziano Treu, Delzara Tustriano, Tuzzato Stefano, Angelo Vassallo, Vauro, Walter Veltroni, Don Vitaliano della Sala, Lec Walesa, Antonino Zichichi, Victoria Zinny, Claudia Zuriato
PRESS
indelible ink
by Daniel ARZENTO
Monday, December 15, 2008, 18.00
All the days, hours 10.00-13.00/16.00-19.00
ISA - Fire Prevention Institute, Via Trade 13 - Rome
Monday, December 15, 2008, at 18:00, at the ISA - Fire Prevention Institute, will take place the exhibition of contemporary art Global Footprint - indelible ink. Footprints of the art, edited by Daniel ARZENTO.
The event brings together nearly three hundred national and international artists, is the last stop before the end of the auction proceeds will be donated to the Association "Grandmothers of the Plaza del Mayo", in order to support their project "Blood Bank and laboratory research on the genetic DNA, which is necessary to find the missing children of the disappeared, torn political opponents during the Argentine dictatorship and never found. The exhibition
indelible ink. Footprints of the art was presented for the first time in 2003 at the Macro - Museo d'Arte Contemporanea in Rome. This exhibition is of great value that has been highly successful, becoming a true work in progress. In recent years, in fact, have increased significantly the number of works and parts of the exhibition has traveled throughout Italy and abroad. The
theme of the exhibition takes its cue from the debate some time ago on the fingerprint requirements for immigrants, to extend more broadly to the theme of the instruments of control in contemporary society. On these issues were involved cultural figures, entertainment, opinion leaders, political figures and spontaneous public, who have given their "contribution" on canvas by impressing their fingerprints. Among the characters who have "donated" their footprints: Nobel laureate Lech Walesa, the singer Vasco Rossi, the Roma captain Francesco Totti, the art critic Maurizio Calvesi, the Honorable Massimo D'Alema, the director Michelangelo Antonioni The actress Claudia Cardinal, are just some of the more than five hundred known names. Following some 300 artists, among the most talented in the international scene, having completed the work, leaving their "indelible artistic impression, through your own language: photography, video, sculpture, installation.
The exhibition, the curator Daniele ARZENTO explains: "It is a path that winds passing through a return to art and a provocative reference to personal identity and values \u200b\u200bof tolerance."
All those who participated in this event have not only thought about how to make a theme, have rather chosen to joined the initiative: an exhibition that presented itself from the beginning as the construction of a small movement of support, of expression, historical memory, with respect to a series of events that reflect individual and collective conscience of our time .
The event, organized by the cultural Horti Lamiani Betti, by Hybrid Contemporary and Joseph Ussani of Escobar, is supported by the Fondazione Internazionale Don Luigi di Liegro and the Province of Rome. Department IX - No. 3 service "Immigration and Emigration."
artists
Claudio Abate, Carla Accardi, Luca Alinari , Goofy Altomare, Roberto Almagno , Amadori Gabriele, Enrica Antonioni, Michelangelo Antonioni, Gloria Argelès, Claudio Ascenzi, Nanni Balestrini, Ballet & Mercandelli, Gianpiero Barchiesi, Ivan Barlafante , Gianfranco Baruchello , Matthew Basilè, Mauro Bellucci, Alessandro Bellucco , Henry Benavides, Marco Bernardi , Bertugno Simon, Michela Bevilacqua, Domenico Bianchi, Bianco & Valente, Caterina Biocca, Claudio Bissattini , Andrea Boldrini , Pippo Borrello , Botto & Bruno, Martha Boyden, Danilo Bucchi , gut Lorenzo, Pietro Calabrese , Ennio Calabria, Califano Ferdinando, Domenico Campisano, Stefano Campitelli, Francesco Canini, Alessandro Cannistrà , Captain Joseph , Federico Caramadre Ronconi, Valentina Charter , Arturo Casanova, Tommaso Cascella, Aegisthus Catalan Giorgio Cavalieri, Andrea Claro, Bruno Ceccobelli, Giacinto Cerone, Sandro Chia, Izumi Chiaraluce, Francesco Clemente, Roberto Coda Zabetta , Angelo Colagrossi , Marco Colazzo , Simona Contini , Mario Corso, Angelo Jacks, Enzo Cucchi, Dario Cusani , Monica Dabicco, Dafni & Papadatos, Verena D'Alessandro, Franco Danieli, Fabio De Benedettis , Luigi De Blasio Athos, Monique De Cesar, Lucio Del Pezzo , Constance Del Heads, Ottaviano Del Turkish, Anna Del Vecchio, Roberto De Simone , Gianni Dessì, Claudio Di Carlo, Sandra Di Coste, Marcello Di Donato, Giuseppe Di Lorenzo , Fernando Di Nucci, Balbo Diodato, Mauro Di Silvestre, Stefano Di Stasio, Salvatore Dominelli, Robert Donatelli, David Orlandi Dormin, Rocco Dubb, Aldo Omar Echegoy, Paclite Echaurren, Lello Esposito, Adolfo Perez Esquivel , Marilu Eustachio , Alessandra Fabbri, Stefania Fabrizi , Giuseppe Fanfani, Marco Fantini, Paolo Fiorentino, Rodolfo Fiorenza, Giosetta Fioroni, Luis River, Peter Fortune, Massimiliano Fuksas, Flora Fu Na Lie, Scarlett Fumasoni, Omar Galliani, Leonardo Galliano, Joseph Gallo, Paola Gandolfi , Marco Gastini , Ghenzer Francis, Dana Giallanella, Alessandro Gianvenuti, Andrea Giglio, Domenico Giglio, Simone Giovagnorio , Nadia Gistri, Salvatore Giunta , Emilio Giusti, Luca Guatelli, Federico Guida, Paul Harbutt , Fathi Hassan , Jessica Iapino , Francesco Impellizzeri, Silvia Iorio, Antonella Iovinella , Stefano Iraci, maria Rosa Jijòn, Mimmo Jodice , Richard Journo , Olga Kass , Thorsten Kirchhoff, Alessandro Kokocinki, Maya Kokocinki, Mark Kostabi, Paul Kostabi, Joseph Kosuth, Jannis Kounellis, Micaela Lattanzio , Ana Maria Laurent , Marisa Laurito , Emilio Leofreddi , Alfonso Leto, Stefano Levi della Torre, Felice Levine, Giancarlo Lemons HH Lim, Loyola Marco, Antonio Lombardi , Brunella Longo, Longo Claire, Adele Lotito, Tiziano Lucci, Lughi , Mary Grace Long, Giulia Lusikova , Enrico Luzzi, Raffaele Maddaluno, Mafonso , Serafino Maiorano, Renato Mambor, Flavia Mantovan , Riccardo Marchetti , Leonetta Marcotulli, Claudia Marini, Gino Marotta, Rowena Mastragostino, Marinella Masala, Antonio Mastronunzio, Gianluigi Matthias Eliseo Mattiacci, Fabio Mauri, Karl Klaus Mehrkens, Sandro Mele, Fedddeeerica Mercuri, Nicola Mette , Mezzacappa Marco, Sabrina Miconi , Ivo Milazzo, Sabina Mirri, Patrizia Molinari , Giordano Montorsi, Joseph Monzo, Sukran Moral, Christian Morandini Flares, Magali Moulinier, Franco Mulas, Peter Mussini, Italo Mustone, Nagasawa, Barbara Nahmad , Richard Nonas, Nunzio, Luigi Alders, Andrea Orsini, Luca Masters , Mimmo Paladino, Vito Palladino, Claudio Palmieri, Daniela Papadia , Marina Paris, Arcangela Lia Parisi, Tonino Loris Paroli, Alberto Parres, Anthony Pass, Frank Pastore, Luca Maria Patella, Antonio Mario Pelosi, Cesar Perez, Beppe Perrone, Perrone Lucio, Roberto Perciballi, Christian Petrucci, Donato Piccolo, Pierro Alessio, Cesare Pietroiusti Gisella Pietrosanti , Luca Pignatelli, Alfredo Pirri, Vettor Pisani, Michelangelo Pistoletto, Matteo Pizzarello, Piero Pizzi Cannella, Elizabeth pinched , Ivan Polidoro, Simone Pontecorvo, Sergio Premoli , Emilio Prini, Eliana Prosperi , Nicola Pucci, Alessandro Pultrone , Agnese Purgatorio , Oliviero Rainaldi, Helene Rallo, Franco Rasma , Tobia Rava , Mauro Reggio , Renzogallo , Patrick Curley, Fabiana Roscioli, Giovanni Rizzoli , Emanuele Robustelli , Anna Romanello, Carmelo Romeo, Mimmo Rotella, Rox in the box , Saturday Elia, Barbara Salvucci, Samorì Nicola, Mario Sasso, Maurizio Savini, Othello Scatolini , Italo Scelza, Scolamiero Vincenzo, Luigi Serafini, Giancarlo Serra, Eugenio Sgaravatti , Nunzio Solendo, Nicola Spezzano, marilena Sutera, Taravelia , Pocket Star, Maurizio Tiberi, Marco Tirelli, Ivano Tomat, Luciano Trina , Serge Uberti Paul Valle, Carla Veronese, Igor Verrilli , Antonello Viola , Fiorenzo Zaffina , Claudia Zuriato
Celebrities who have left their mark:
Tonino Accolla, Elsa Agalbato, Giorgio Albertazzi, Franco Alfieri, Elda Alvigini, Nino Amendola, Michelangelo Antonioni and Enrica, Apicella, Renzo Arbore, Micol Assael, Avion Travel, Dario Argento, Louis Bacalov, Barbara Balz, Claudio Baglioni, Silvia Baraldini, Marina Bargnesi, Bartolo, Antonio Bassolino, Isa Barzizza, Giovanni Bellini, Alessandro Benvenuti, Sonia Bergamasco, Giovanni Berlinguer, Luigi Berlinguer, Fausto Bertinotti, Bertugno Simone, Rodolfo Biancalani, Dorina Bianchi, Rosy Bindi, Laura Boldrini, Salvatore Bonadonna, Gaetano Bonifati, Achille Bonito Oliva, Willer Bordon, Raoul Bova, White Arms Torso, Eleonora Brigliadori, Flavio Bucci, Romolo Bulla, Bulla Rosalba, Aldo Busi, Svetlana Bzenica, Marcos Cafu, Giuseppe, Sabina Calabrese and children, Maria Rosa Calderoni, Ferdinand Califano Carlo Callieri, Giorgia Calo, Maurizio Calvesi, Adele Cambria, Rossana Campo, Henry and Fausto Cantagalli, Fabio Capello, Estela, Claudia, Livia Caputo, Claudia Cardinale, Simone Carella, Ivo and Carlota Remo, Francesco "Peak" Carrera, Valentina Carta, Benedetto Carucci Viterbi, Elenoire Casalegno, Arturo Casanova, Luca Casarini, Caterina Caselli, Maurizio Cattelan, Helen Cavallo, Ceccobelli Bruno, Paolo Cento, Guido Ceronetti , Janis Chaplin, Giulietto Church, Eduardo Cicelin, Don Luigi Ciotti, Benito Ciucci, Oberdan Ciucci, Andrea Claro, Fernanda Contri, Franco Corleone, Bruno Cora, Ludovico Corrao, Pappi Corsicato, Lella Costa, Paul the content, Paolo Crepet, Maddalena Crippa, Renato Curcio, Sandro Curzi, Sergio Cusani and Dario, Massimo D'Alema, Lucio Dalla, Serena Dandini, Nino D'Angelo, Franco Danieli, Massimo Dapporto, Walter De Cesaris, Ennio De Concini, Piera Degli Esposti, Ottaviano Del Turkish, Vega De Martini, Mimmo De Masi, Calogero Di Gesù, Fabiola Di Gianfilippo, Stefano Dionisi, Don Guerino Di Tora, Antonino Di Meco, our growth, Umberto Donati, Danilo Eccher, Pablo Echaurren, Adolfo Perez Esquivel, Louis Fadica, Ferracuti Stefano, Mario Fiorentini, Adriana Fonzi Cruciani, Dino Frisullo, Massimiliano Fuksas, Prospero Gallinari, Don Andrea Gallo, Annaisa Garcea, Anita Garibaldi, Matteo Garrone, Anna Gentile, Claudia Gerini, Sister Asolo Gervasi, Massimo Ghini, Gholamreza Razg, Fabrizio Gifuni, Joseph Giannetti, Louis Jordan, Eleonora Giorgi, Remo Girone, Nancy Gorgona, Luca Guatelli, Roberto Gramiccia, Fulvio Grimaldi and the dog Nando, Andrea Griminelli, Sabina Guzzanti, Alessandro Haber, Damien Hirst, Caterina Iaquinta, Anibal Ibarra, Imma Indigo, Alex Infascelli, Pino I teach, Walter Irvine, Italian Unstable Orchestra, Richard Journo, Alessandro Kokocinski, Matthew Kranner, Roberta Lanfranchi, Gabriele La Porta, Javier Guerra Laspiur, Luisa Briganti Graduates Marisa Laurito, Stefano Levi della Torre, Consilia Licciardi, Joseph Licciardi, Gaetano Liguori, Brunella Longo, Silvio Lotringer, Mario Luzi, Myriam Mafai, Michel Maffesoli, Mafonso, Lucio Magnani Gianni Maimeri, Memo Mancini, Luigi Manconi, Manisco, Fiorella Mannoia, Carlo Marchioli, Alessandro Margara, Franco Marini, Fabrizio and Antonio Marras, Francesco Martone, Simonetta Martone City, Maselli, Valerio Mastandrea, John Mastrangelo, Beppe Marvell, Elio Matacena, Michael Megaro, Mita Medici, Giovanna Melandri, Nicola Mette, vo Milazzo, Formichi Cristina Moglia, Sukran Moral, Domenico Morelli, Raffaele Morese, Italo Moretti, Enrico Moriconi, Magali Moulinier, Vittorio Mucci, Luigi Maria Musati, Fabio Mussi, Anna Negri and son, Tony Negri, Luigi Nieri, Gigi Novelli, Don Vittorio Nozza, Luigi Alders, Lorenzo Ostuni, Ottombrino Lucia, Angela Pace, Rita Pacifici , Assunta Paravati, Simona Pari, Arturo Parisi, Lorenzo Parlati, Maria Rita Parsi, Omar Pedrini, Maria Rosaria Perrella, Savino Pezzotta, Jorge Peris, Tracey Phillips, Mario Pirani, Vettor Pisani, Gabriella Pistone, Platinette, Gillo Pontecorvo, Sandro Portelli, Ludovico Pratesi, Patty Pravo, Sergio Premoli, Francesco Prosperetti, Nicola Pucci, Marco Simon Puccioni, Clotilde Punzo, Andrea Purgatori, Franca Rame, Ali Rachid, Rasma Franco, Lidia Ravera , Remo Remotti Retina.it, Franco Righetti, Nino Rinaldi, Gianni Rinaldini, Marco Risi, Vito Riviello, Vittorio Roid, Vasco Rossi, Francesco Rutelli, Arion Salazar, Oscar Arias SanchezMassimilano Saints, Elisa Santoni, Fabio Sargentini SARZIN Cesare, Aldo Chiavone, Mimmo Scognamiglio, Alfredo Scotti Beppe Servillo, Luca Signorelli, Massimiliano Emery, Solendo nuncio, Giovanni Russo Spena, Adriana Spera, Nicholas Spina, Stalker, Rolando Stefanelli, Vittorio Storaro, students of Fine Arts in Naples, Peter Stein, Gino Strada, Patrick H. Taiolini, Saverio Tatino, Vittorio Taviani, Carla Teti, The Childres foot prints, Peter Tide, Tommassini Luca, Francesco Totti, Tiziano Treu, Delzara Tustriano, Tuzzato Stefano, Angelo Vassallo, Vauro, Walter Veltroni, Don Vitaliano della Sala, Lec Walesa, Antonino Zichichi, Victoria Zinny, Claudia Zuriato
Monday, November 17, 2008
Eurosport Infiniti Elliptical St950
FABIO MARAZZI
Gallery of Contemporary Art
Horti Lamiani
Betti Via Giolitti, 163 - Rome
From 19 November to 6 December 2008
Hours d ' Hours: hours Mon-Fri 10:00 to 19:00
Vernissage: Wednesday, November 19 at 19:00
I make a reportage of the spirit "whose images are not the
reproduction of a social condition observed from the outside, but the representation of the look of
those who live in discomfort, from the inside.
"The apparent duality: we are all connected and there is no way to call out the
suffering of other beings is our suffering. If we look in depth
realize that we are all nomads and refugees, in passing on this earth to
search for our true home. Fabio Marazzi
For several years he composes his works favoring
multiple exposures ...: more shots superimposed. Here it goes much further, up to 50 shots on
same frame. We are in the field of natural forcing extreme limits of the medium ...
. It 's a real
manipulation of reality through the lens optical camouflage duplicated, extracted by hand from the truth of
some details out of context, then catapulted into a new field: the image that comes
.... By providing perspective and dimensional inconsistencies, deceptions
eye, dancing on the thin ridge that separates the waking from a dream ...
(from the presentation of Maurice Bignami)
For information and contacts: 06 96527034
www.fabiomarazzi.it
e.reali @ tiscali.it
cell. 328 4956895 
Gallery of Contemporary Art
Horti Lamiani
Betti Via Giolitti, 163 - Rome
From 19 November to 6 December 2008
Hours d ' Hours: hours Mon-Fri 10:00 to 19:00
Vernissage: Wednesday, November 19 at 19:00
I make a reportage of the spirit "whose images are not the
reproduction of a social condition observed from the outside, but the representation of the look of
those who live in discomfort, from the inside.
"The apparent duality: we are all connected and there is no way to call out the
suffering of other beings is our suffering. If we look in depth
realize that we are all nomads and refugees, in passing on this earth to
search for our true home. Fabio Marazzi
For several years he composes his works favoring
multiple exposures ...: more shots superimposed. Here it goes much further, up to 50 shots on
same frame. We are in the field of natural forcing extreme limits of the medium ...
. It 's a real
manipulation of reality through the lens optical camouflage duplicated, extracted by hand from the truth of
some details out of context, then catapulted into a new field: the image that comes
.... By providing perspective and dimensional inconsistencies, deceptions
eye, dancing on the thin ridge that separates the waking from a dream ...
(from the presentation of Maurice Bignami)
For information and contacts: 06 96527034
www.fabiomarazzi.it
e.reali @ tiscali.it
cell. 328 4956895
Wednesday, November 12, 2008
Mw2 English Language Patch
MIRIAM GOODBYE GREAT! Eleanor Rigby
left us two nights ago, after falling ill during a concert against racism and the mafia held at Castel Volturno in soliderietà Roberto Saviano.
had 76 years and has gone as he lived: fighting all injustices and discrimination.
Miriam Makeba, Mama Afrika known for his work against apartheid, which in its South Africa for decades has relegated millions of "tan" in conditions of slavery, was born in Johannesburg, 4 March 1936.
Singer Jazz and World Music, for his political commitment was forced into exile until the end of apartheid and was delegated to the United Nations.
Famous throughout the world, is considered a living legend and left us with unforgettable songs such as the famous Pata Pata, Malika, The Click Song, etc.. He began his career in the '50s with the group Manhattan Brothers, with whom he began to be known abroad.
In 1959 he won the reputation for the musical King Kong, followed by films dealing with the issue of apartheid and countless publications record which make it one of the most respected artists on the international scene. Many international institutions, including UNESCO, the reward and recognize his immense stature as an artist and a woman committed to peace and justice. Miriam Makeba
heavy leaves us a legacy: to continue his fight for a fairer world and for the dignity of all human beings. To us the daunting task of not disappoint and make his figure continues to be a bugbear for all the scoundrels who sow hatred, discrimination, hunger and death to satisfy their greed unbridgeable.
below shows an interesting interview with Miriam Makeba Miriam Makeba
, the greatest interpreter of African music and a symbolic figure of the fight against apartheid, tomorrow is the Carlo Felice in the Universal of jazz.
Ms. Makeba, how would you define your music?
I sing and I do not poses the problem of how to define my music. When in the sixties I went to the Monterey festival said they did jazz because jazz comes from Africa, then when I sang with Harry Belafonte spoke of folk. I sing my music and let the other definitions.
Today is all the rage the term world music. What do you think?
two thousand years that there is a world-music ... all music is from the world. It will not be rather a way not to say that music is from the Third World?
She is known as "Mama Africa". What it means to be a symbol of culture and the struggles of blacks?
entire continent on my shoulders? It weighs too much. No, I do not believe to be a symbol. People just shows me all his sympathy and his affetto.Nelson Mandela: a friendship of long data.Il our first meeting dates back to the Fifties, at the time I sang with in Manhattan Brothers. When he was freed I immediately phoned and told me I had to return to South Africa, which have been away for over thirty years. Our first embrace, however, occurred in Stockholm, because I was still in exile.
know the Italian music?
little, but I really love De André that I all disks.
and Pavarotti?
I remember when he came to sing in South Africa with the three tenors. A great concert.
As his music changed during your career? Do not know. I sing always new reasons even if I must make the best-loved hits from the public.
Like the famous "Pata Pata"?
Memo: now that song has become almost an obsession for me.
Since 1999 she is an ambassador of the FAO, which has dedicated the song "Masakahane. Can you tell us about this activity?
It 's a role I hold with great characters of the show as Gina Lollobrigida, DD Bridgewater, Gilberto Gil, Youssou N'Dour, Gong Li. In 2001 I was in Mozambique, a country affected by severe flooding, and in the same year I toured for FAO in Spain and Jamaica. In those years, my image has exposed the organization to feed on important international journals and a few months ago I opened a center near Johannesburg for girls in need.
E 'never been tempted by political career?
I received several bids and proposals in respect of applications, but my role is to cantare.Il world is increasingly shaken by terrorismo.E 'a big problem, however, before which we must go back to the roots and be careful to exploitation: remember Nelson Mandela was branded as long as terrorist by the South African government. Violence in any case must always be rejected, because the expense is also the common people.
interview Paolo Battifora - THE CENTURY XIX - 17/03/2004 
left us two nights ago, after falling ill during a concert against racism and the mafia held at Castel Volturno in soliderietà Roberto Saviano. had 76 years and has gone as he lived: fighting all injustices and discrimination.
Miriam Makeba, Mama Afrika known for his work against apartheid, which in its South Africa for decades has relegated millions of "tan" in conditions of slavery, was born in Johannesburg, 4 March 1936.
Singer Jazz and World Music, for his political commitment was forced into exile until the end of apartheid and was delegated to the United Nations.
Famous throughout the world, is considered a living legend and left us with unforgettable songs such as the famous Pata Pata, Malika, The Click Song, etc.. He began his career in the '50s with the group Manhattan Brothers, with whom he began to be known abroad.
In 1959 he won the reputation for the musical King Kong, followed by films dealing with the issue of apartheid and countless publications record which make it one of the most respected artists on the international scene. Many international institutions, including UNESCO, the reward and recognize his immense stature as an artist and a woman committed to peace and justice. Miriam Makeba
heavy leaves us a legacy: to continue his fight for a fairer world and for the dignity of all human beings. To us the daunting task of not disappoint and make his figure continues to be a bugbear for all the scoundrels who sow hatred, discrimination, hunger and death to satisfy their greed unbridgeable.
below shows an interesting interview with Miriam Makeba Miriam Makeba
, the greatest interpreter of African music and a symbolic figure of the fight against apartheid, tomorrow is the Carlo Felice in the Universal of jazz.
Ms. Makeba, how would you define your music?
I sing and I do not poses the problem of how to define my music. When in the sixties I went to the Monterey festival said they did jazz because jazz comes from Africa, then when I sang with Harry Belafonte spoke of folk. I sing my music and let the other definitions.
Today is all the rage the term world music. What do you think?
two thousand years that there is a world-music ... all music is from the world. It will not be rather a way not to say that music is from the Third World?
She is known as "Mama Africa". What it means to be a symbol of culture and the struggles of blacks?
entire continent on my shoulders? It weighs too much. No, I do not believe to be a symbol. People just shows me all his sympathy and his affetto.Nelson Mandela: a friendship of long data.Il our first meeting dates back to the Fifties, at the time I sang with in Manhattan Brothers. When he was freed I immediately phoned and told me I had to return to South Africa, which have been away for over thirty years. Our first embrace, however, occurred in Stockholm, because I was still in exile.
know the Italian music?
little, but I really love De André that I all disks.
and Pavarotti?
I remember when he came to sing in South Africa with the three tenors. A great concert.
As his music changed during your career? Do not know. I sing always new reasons even if I must make the best-loved hits from the public.
Like the famous "Pata Pata"?
Memo: now that song has become almost an obsession for me.
Since 1999 she is an ambassador of the FAO, which has dedicated the song "Masakahane. Can you tell us about this activity?
It 's a role I hold with great characters of the show as Gina Lollobrigida, DD Bridgewater, Gilberto Gil, Youssou N'Dour, Gong Li. In 2001 I was in Mozambique, a country affected by severe flooding, and in the same year I toured for FAO in Spain and Jamaica. In those years, my image has exposed the organization to feed on important international journals and a few months ago I opened a center near Johannesburg for girls in need.
E 'never been tempted by political career?
I received several bids and proposals in respect of applications, but my role is to cantare.Il world is increasingly shaken by terrorismo.E 'a big problem, however, before which we must go back to the roots and be careful to exploitation: remember Nelson Mandela was branded as long as terrorist by the South African government. Violence in any case must always be rejected, because the expense is also the common people.
interview Paolo Battifora - THE CENTURY XIX - 17/03/2004
How To Wear Navy Tights
Eleanor Rigby really existed
Found
documents to prove it could be the final solution to one of the mysteries that has always been passionate fans of the Beatles: Eleanor Rigby who was the song? The answer may lie in a note dated 1911, which shows a payment made to a cleaning lady, "and Rigby, who worked at the time in a hospital in Liverpool, which co-sign the receipt. A woman who, like the song, never married and died alone.
That document was given in 1990 by Paul McCartney himself (the author of the song, although John Lennon claimed years after he co-authorship) Annie Mawson, owner of a group that uses music to help children with problems, asking him something to raise funds. The Mawson had told McCartney that among the musicians who use a curative intent was "Yellow Submarine." Now Mawson, leader of the "Sunbeam Music Trust, has decided to auction the paper will be sold Nov. 27 in London, and is expected to star price, more than 500,000 pounds to fund a center for music therapy.
Found
documents to prove it could be the final solution to one of the mysteries that has always been passionate fans of the Beatles: Eleanor Rigby who was the song? The answer may lie in a note dated 1911, which shows a payment made to a cleaning lady, "and Rigby, who worked at the time in a hospital in Liverpool, which co-sign the receipt. A woman who, like the song, never married and died alone.
That document was given in 1990 by Paul McCartney himself (the author of the song, although John Lennon claimed years after he co-authorship) Annie Mawson, owner of a group that uses music to help children with problems, asking him something to raise funds. The Mawson had told McCartney that among the musicians who use a curative intent was "Yellow Submarine." Now Mawson, leader of the "Sunbeam Music Trust, has decided to auction the paper will be sold Nov. 27 in London, and is expected to star price, more than 500,000 pounds to fund a center for music therapy.
Monday, September 15, 2008
Gangs And Rosary Beads
, A MYTH FADES
member of the Historical Pink Floyd, Rick Wright died of cancer the age of 65. Wright was one of the founders of the British band in 1965 along with Nick Mason, Roger Waters and Syd Barrett.
Richard William Wright was born in London on July 28, 1943 from a wealthy family. After a few past the London College of Music, he enrolled at the Faculty of Architecture, where he met two future members of Floyd, Roger Waters and Nick Mason. Along with Barrett founded one of the most important bands of all time. The composition of vein
Wright has contributed songs to epic and far-reaching as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. But the most commercially successful tracks signed only by the keyboard are two historical pieces: one taken from Dark Side of the Moon (1973), The Great Gig in the Sky, and another, Summer '68, by Mother AtomHeart 1970.
Keyboardist and singer was fired after several disagreements with Floyd by Roger Waters at the time of The Wall in 1979. Back into the group in an official capacity in 1987 during the sessions of A Momentary Lapse of Reason, when it was David Gilmour at the helm.
BIOGRAPHY Born into a wealthy family in the district of Hatch End to London, as a teenager he entered the London College of Music, and there he has his first encounter with the music. Forget your piano lessons after just two weeks. Later he enrolled at the Regent Street Polytechnic School of Architecture. He meets Roger Waters and Nick Mason , but soon abandoned his studies to pursue his passion for music. In 1965 the three, along with Syd Barrett , founded Pink Floyd. After the release of
Syd Barrett, Wright became the composer's melodic group. The similarity of his voice with the guitarist who replaced Barrett, David Gilmour is used to create special effects in some songs.
Although not prolific as his fellow Waters and Gilmour, Wright has contributed substantially to the same wide-ranging and epic, such as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. His most successful pieces of trade are two songs on the album Dark Side of the Moon (1973 ): The Great Gig in the Sky and Us and Them, but also "Keep talking" comes from "The Division Bell" (1994).
be remembered among his compositions are certainly Sysyphus album Ummagumma ( 1969) and Summer '68 album Atom Heart Mother ( 1970).
The Pink Floyd album that has increased its contribution is certainly Wish You Were Here. There is hardly a place where there is this album, background, the carpet Wright Music. His is also the music-in which uses three-synthesizer sounded simultaneously which ends the album, played alone without the participation of the other three.
After some personal problems related to their personal lives (divorce), and probably also to excessive use of cocaine (which is always denied by the applicant), Wright was sent off by Roger Waters during the recording of The Wall (1979). Continue to play the next concert 1980 and 1981 promoting the album, but only as a salaried musician even if it must be emphasized that in all cases the final greeting was always present with the other Floyd. Ironically, Wright was the only one to gain economically from the concerts, since the costs - as well as his pay - had to be paid by other group members.
next album, The Final Cut ( 1983), is the only one that Rick Wright, now permanently excluded from the group, does not contribute. Despite this, he and drummer Nick Mason are the only members of the group to have played at every concert of Pink Floyd, The Final Cut place had no promotional tour.
In 1984 he formed a group with Dave Harris, the Zee . After signing a contract with Atlantic Records , Zee's released their first and only album, Identity .
Following the complete failure of the album, Wright was absent from the group since the concerts "The Wall" of 1980-81, was called by Gilmour to help out during the closing session of "A Momentary Lapse of Reason" [1987] (Waters has now left the group for four years), working on some tracks of 'album. Is reinstated as a full member of the group with the album Delicate Sound of Thunder ( 1988), a double that selects between the material recorded at concerts of the tour following the album. The album
next Division Bell (1994), writes and sings five songs Wearing the Inside Out, certifying his personal artistic rebirth to lofty levels.
Encouraged by the decisive contribution to The Division Bell, in 1996 Wright released his second solo album, Broken China, where among the guests appearing talents as Sinead O'Connor, Pino Palladino and Tim Renwick . The album was not commercially successful, but in time it was really re-evaluated, so that a song of this album was included in the lineup of the few Gilmour concerts in 2001-2002.
In 2006 Wright returns to the studio to collaborate with Gilmour on the third solo album of the latter, On an Island playing on two tracks. The album will have a critical and commercial success of raggiugerà really noisy and the No. 1 in many countries such as Italy and the United Kingdom. The next tour of David Gilmour, Wright has participated as a permanent member giving the bottom of all the harpsichord and its repertoire and to contribute in terms of vocal performance, illuminating the scene with his sensitivity. The tour has been very successful in all dates. Witness the experience and stature of the Wright Music is its tour DVD released in Italy September 14, 2007. From the point of view
instrumental Richard Wright in the history of Pink Floyd has built the "wall of sound" beyond which stood out on his epic solo Gilmour. Extraction of jazz, has managed to evolve until you enter in a natural environment and a psychedelic sensibility really unparalleled. His moments
levels may be considered for the entire first two album, the riff repeated body of Atom Heart Mother , synthesizer laden with effects Any color you like, along with those of almost obsessive Welcome to the machine and Dogs, Sheep the intro, the round of Hammond in Pigs (Three Different Ones) and part of the album's keyboard The Division Bell. His undisputed masterpieces, including in the composition, are undoubtedly the wall of sound and the intro to Echoes , the whole sound portion of The Great Gig In The Sky , the plan Us and Them, synthesizers Shine on you crazy diamond .
As lead singer of Pink Floyd has always provided support sporadic but thick, often as part of agreement. Her best vocal performances are certainly recognizable in the songs Echoes, Time , "Burning Bridges" and Wearing the Inside Out . Also notable is his vocal performance in the live version of Arnold Layne , Floyd's first single, revived in 2006 by David Gilmour in ' On An Island "tour.
Richard Wright died suddenly September 15, 2008, after a brief fight against cancer. 
member of the Historical Pink Floyd, Rick Wright died of cancer the age of 65. Wright was one of the founders of the British band in 1965 along with Nick Mason, Roger Waters and Syd Barrett.
Richard William Wright was born in London on July 28, 1943 from a wealthy family. After a few past the London College of Music, he enrolled at the Faculty of Architecture, where he met two future members of Floyd, Roger Waters and Nick Mason. Along with Barrett founded one of the most important bands of all time. The composition of vein
Wright has contributed songs to epic and far-reaching as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. But the most commercially successful tracks signed only by the keyboard are two historical pieces: one taken from Dark Side of the Moon (1973), The Great Gig in the Sky, and another, Summer '68, by Mother AtomHeart 1970.
Keyboardist and singer was fired after several disagreements with Floyd by Roger Waters at the time of The Wall in 1979. Back into the group in an official capacity in 1987 during the sessions of A Momentary Lapse of Reason, when it was David Gilmour at the helm.
BIOGRAPHY Born into a wealthy family in the district of Hatch End to London, as a teenager he entered the London College of Music, and there he has his first encounter with the music. Forget your piano lessons after just two weeks. Later he enrolled at the Regent Street Polytechnic School of Architecture. He meets Roger Waters and Nick Mason , but soon abandoned his studies to pursue his passion for music. In 1965 the three, along with Syd Barrett , founded Pink Floyd. After the release of
Syd Barrett, Wright became the composer's melodic group. The similarity of his voice with the guitarist who replaced Barrett, David Gilmour is used to create special effects in some songs.
Although not prolific as his fellow Waters and Gilmour, Wright has contributed substantially to the same wide-ranging and epic, such as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. His most successful pieces of trade are two songs on the album Dark Side of the Moon (1973 ): The Great Gig in the Sky and Us and Them, but also "Keep talking" comes from "The Division Bell" (1994).
be remembered among his compositions are certainly Sysyphus album Ummagumma ( 1969) and Summer '68 album Atom Heart Mother ( 1970).
The Pink Floyd album that has increased its contribution is certainly Wish You Were Here. There is hardly a place where there is this album, background, the carpet Wright Music. His is also the music-in which uses three-synthesizer sounded simultaneously which ends the album, played alone without the participation of the other three.
After some personal problems related to their personal lives (divorce), and probably also to excessive use of cocaine (which is always denied by the applicant), Wright was sent off by Roger Waters during the recording of The Wall (1979). Continue to play the next concert 1980 and 1981 promoting the album, but only as a salaried musician even if it must be emphasized that in all cases the final greeting was always present with the other Floyd. Ironically, Wright was the only one to gain economically from the concerts, since the costs - as well as his pay - had to be paid by other group members.
next album, The Final Cut ( 1983), is the only one that Rick Wright, now permanently excluded from the group, does not contribute. Despite this, he and drummer Nick Mason are the only members of the group to have played at every concert of Pink Floyd, The Final Cut place had no promotional tour.
In 1984 he formed a group with Dave Harris, the Zee . After signing a contract with Atlantic Records , Zee's released their first and only album, Identity .
Following the complete failure of the album, Wright was absent from the group since the concerts "The Wall" of 1980-81, was called by Gilmour to help out during the closing session of "A Momentary Lapse of Reason" [1987] (Waters has now left the group for four years), working on some tracks of 'album. Is reinstated as a full member of the group with the album Delicate Sound of Thunder ( 1988), a double that selects between the material recorded at concerts of the tour following the album. The album
next Division Bell (1994), writes and sings five songs Wearing the Inside Out, certifying his personal artistic rebirth to lofty levels.
Encouraged by the decisive contribution to The Division Bell, in 1996 Wright released his second solo album, Broken China, where among the guests appearing talents as Sinead O'Connor, Pino Palladino and Tim Renwick . The album was not commercially successful, but in time it was really re-evaluated, so that a song of this album was included in the lineup of the few Gilmour concerts in 2001-2002.
In 2006 Wright returns to the studio to collaborate with Gilmour on the third solo album of the latter, On an Island playing on two tracks. The album will have a critical and commercial success of raggiugerà really noisy and the No. 1 in many countries such as Italy and the United Kingdom. The next tour of David Gilmour, Wright has participated as a permanent member giving the bottom of all the harpsichord and its repertoire and to contribute in terms of vocal performance, illuminating the scene with his sensitivity. The tour has been very successful in all dates. Witness the experience and stature of the Wright Music is its tour DVD released in Italy September 14, 2007. From the point of view
instrumental Richard Wright in the history of Pink Floyd has built the "wall of sound" beyond which stood out on his epic solo Gilmour. Extraction of jazz, has managed to evolve until you enter in a natural environment and a psychedelic sensibility really unparalleled. His moments
levels may be considered for the entire first two album, the riff repeated body of Atom Heart Mother , synthesizer laden with effects Any color you like, along with those of almost obsessive Welcome to the machine and Dogs, Sheep the intro, the round of Hammond in Pigs (Three Different Ones) and part of the album's keyboard The Division Bell. His undisputed masterpieces, including in the composition, are undoubtedly the wall of sound and the intro to Echoes , the whole sound portion of The Great Gig In The Sky , the plan Us and Them, synthesizers Shine on you crazy diamond .
As lead singer of Pink Floyd has always provided support sporadic but thick, often as part of agreement. Her best vocal performances are certainly recognizable in the songs Echoes, Time , "Burning Bridges" and Wearing the Inside Out . Also notable is his vocal performance in the live version of Arnold Layne , Floyd's first single, revived in 2006 by David Gilmour in ' On An Island "tour.
Richard Wright died suddenly September 15, 2008, after a brief fight against cancer.
Tuesday, September 9, 2008
Merilyn Sekova Facebook
ANTONIO WOMAN OF EZRA POUND
ANTONIODEL WOMEN
Tina Vann Margutta RistorArte submit to the personal exhibition of Antonio Del Donno, organized by the Horti-Lamiani Betti, edited by Giorgio Calò.
The exhibition presents a selection of works by the artist made from the sixties to today. .
In the society of the spectacle that could "burn the signs and gestures more meaningful," Antonio Del Donno - Italian artist "modern classics", as defined by Achille Bonito Oliva - changes signs in the message. The medium, the canvas becomes message through words, gestures and phrases informal bays on bright colors that become channels. And, entirely consistent with, is the outlet of the painting of the first Del Donno in the collage, then in the graphics, and finally in a search based on the rapid consumption of the visual object. To confirm this visual poetry the use of contrasting colors, violently dissonant, where the brush is sometimes stronger, sometimes less.
is precisely the infinite variety of colors to catch the eye of the public: the color, with vibrant brushstrokes, it becomes the same subject. But the line has a key role in the painting of Del Donno. After cinqunata years of his artistic research is still dominated by the line drawn with the same energy and lived always looking for new languages. In none of Del Donno (except photographs) appear human figures. In fact his works are popolatre of people: it is the viewer himself, who receives and consumes the work through the signs, phrases, colors, gestures that appear before ."... In the work of Del Donno no indulgence to the citation and the remake, there's quite the pick-up and rebuilding, as when we use an old tool or an abandoned object and adapt it to new uses "(Filiberto Menna, 1987).
"Antonio Del Donno moves from one location, which tends to incorporate in their operation and the evidence of the phenomenal world and a possible subsequent measurement. The materials used are wood, plastic and others from industry. He organizes everything so as to make the container of light, which is encased in structures and then returned through the thin plastic plates that allow the excess. The entire organization responds to a criterion which tends not only to bring about a cover-up newspaper space by highlighting the shapes resolved according to an aesthetic attitude, but also a constant challenge of governing the urban space. "(Achille Bonito Oliva)
Many critics and art historians have dealt with the work, forty years, Del Donno. Just to name a few: Filiberto Menna, Mirella Bentivoglio, Achille Bonito Oliva, Elio Galasso, Nico De Vincentiis, Silvio Zanella, Antonio Petrilli.
Antonio Del Donno
Antonio Del Donno was born in Benevento on 11/27/1927. He attended the Technical Institute for Surveyors in the years 1945/50, was only interested in the technical design and architecture and he cared for so lovingly that he discovered the beauty in geometry. He decided to attend the Academy of Fine Arts of Naples, and it was there that he felt encouraged by all that watched and takes up the excitement, he knew immediately that this was the way to go and that the design was his life, to the amazement of his father, Nicola Del Donno, perfect bureaucrat as an official of the Prefecture, and the joy of his mother, Anita Ferrelli, which like all Ferrelli felt love for art. After completing his studies at the Art School of Naples, he obtained the chair of Art Education at the School of Media Vitelli Benevento. The isegnamento allowed him to devote himself to a lot of availability. In the years 1960/70, he began to frequent the Galleria Lucio Amelio in Naples, together with Mimmo Paladino, the only friend with whom he exchanged ideas, emotions and research. Both, in fact, were interested in learning the new culture that is breathed in that time: total rejection of everything that was author, academic rhetoric. Both are always present at all conferences, debates, exhibitions of famous European and American artists, remaining involved emotionally. Curiosity prompted him to learn to travel abroad. The Venice Biennial of 1964 was decisive for him, there he met his arrogance, and the chance to experience the joy of Rauschenberg, which he used in his paintings carry the camera, objects, and connected it all with a violent stroke dealt with in turn by De Kooning, Pollock and other gestural painters of that time. Del Donno has always had a language, a form of expression consistent with his gestures, and a love for photography. Rauschenberg, Tapies, Widow, Schifani, Warhol, were his teachers, has pulled out its roots, helped him find himself. The building, feel like a craftsman manipulating the iron, wood, is something that carries childhood. From wheelchairs to scooters, now, to make objects related to art. Here is how come the "Gospels", tables of recovered wood glued and incerniate with iron hinges and with letters of fire reported Gospel verses to denounce a state of affairs. Del Donno was a liberating act, as it was a trap to have achieved the greatness of 'man, wanting to give a check against state power, "his autobiography." In fact in all his work there is a social problem, a beyond all political ideologies - religious, there is above all the pleasure of the game that contains the charm of the shapes and lines in harmony with each other, where the simplicity and spontaneity prevails.
Antonio Del Donno
Vernissage: Wednesday, September 10, 2008, 18:00 - 10 October2008
The Margutta RistorArteVia Margutta, 118 - Roma Tel: +39 06 32650577 - Email: staff@ilmargutta.it - www.ilmargutta.it 
ANTONIODEL WOMEN
Tina Vann Margutta RistorArte submit to the personal exhibition of Antonio Del Donno, organized by the Horti-Lamiani Betti, edited by Giorgio Calò.
The exhibition presents a selection of works by the artist made from the sixties to today. .
In the society of the spectacle that could "burn the signs and gestures more meaningful," Antonio Del Donno - Italian artist "modern classics", as defined by Achille Bonito Oliva - changes signs in the message. The medium, the canvas becomes message through words, gestures and phrases informal bays on bright colors that become channels. And, entirely consistent with, is the outlet of the painting of the first Del Donno in the collage, then in the graphics, and finally in a search based on the rapid consumption of the visual object. To confirm this visual poetry the use of contrasting colors, violently dissonant, where the brush is sometimes stronger, sometimes less.
is precisely the infinite variety of colors to catch the eye of the public: the color, with vibrant brushstrokes, it becomes the same subject. But the line has a key role in the painting of Del Donno. After cinqunata years of his artistic research is still dominated by the line drawn with the same energy and lived always looking for new languages. In none of Del Donno (except photographs) appear human figures. In fact his works are popolatre of people: it is the viewer himself, who receives and consumes the work through the signs, phrases, colors, gestures that appear before ."... In the work of Del Donno no indulgence to the citation and the remake, there's quite the pick-up and rebuilding, as when we use an old tool or an abandoned object and adapt it to new uses "(Filiberto Menna, 1987).
"Antonio Del Donno moves from one location, which tends to incorporate in their operation and the evidence of the phenomenal world and a possible subsequent measurement. The materials used are wood, plastic and others from industry. He organizes everything so as to make the container of light, which is encased in structures and then returned through the thin plastic plates that allow the excess. The entire organization responds to a criterion which tends not only to bring about a cover-up newspaper space by highlighting the shapes resolved according to an aesthetic attitude, but also a constant challenge of governing the urban space. "(Achille Bonito Oliva)
Many critics and art historians have dealt with the work, forty years, Del Donno. Just to name a few: Filiberto Menna, Mirella Bentivoglio, Achille Bonito Oliva, Elio Galasso, Nico De Vincentiis, Silvio Zanella, Antonio Petrilli.
Antonio Del Donno
Antonio Del Donno was born in Benevento on 11/27/1927. He attended the Technical Institute for Surveyors in the years 1945/50, was only interested in the technical design and architecture and he cared for so lovingly that he discovered the beauty in geometry. He decided to attend the Academy of Fine Arts of Naples, and it was there that he felt encouraged by all that watched and takes up the excitement, he knew immediately that this was the way to go and that the design was his life, to the amazement of his father, Nicola Del Donno, perfect bureaucrat as an official of the Prefecture, and the joy of his mother, Anita Ferrelli, which like all Ferrelli felt love for art. After completing his studies at the Art School of Naples, he obtained the chair of Art Education at the School of Media Vitelli Benevento. The isegnamento allowed him to devote himself to a lot of availability. In the years 1960/70, he began to frequent the Galleria Lucio Amelio in Naples, together with Mimmo Paladino, the only friend with whom he exchanged ideas, emotions and research. Both, in fact, were interested in learning the new culture that is breathed in that time: total rejection of everything that was author, academic rhetoric. Both are always present at all conferences, debates, exhibitions of famous European and American artists, remaining involved emotionally. Curiosity prompted him to learn to travel abroad. The Venice Biennial of 1964 was decisive for him, there he met his arrogance, and the chance to experience the joy of Rauschenberg, which he used in his paintings carry the camera, objects, and connected it all with a violent stroke dealt with in turn by De Kooning, Pollock and other gestural painters of that time. Del Donno has always had a language, a form of expression consistent with his gestures, and a love for photography. Rauschenberg, Tapies, Widow, Schifani, Warhol, were his teachers, has pulled out its roots, helped him find himself. The building, feel like a craftsman manipulating the iron, wood, is something that carries childhood. From wheelchairs to scooters, now, to make objects related to art. Here is how come the "Gospels", tables of recovered wood glued and incerniate with iron hinges and with letters of fire reported Gospel verses to denounce a state of affairs. Del Donno was a liberating act, as it was a trap to have achieved the greatness of 'man, wanting to give a check against state power, "his autobiography." In fact in all his work there is a social problem, a beyond all political ideologies - religious, there is above all the pleasure of the game that contains the charm of the shapes and lines in harmony with each other, where the simplicity and spontaneity prevails.
Antonio Del Donno
Vernissage: Wednesday, September 10, 2008, 18:00 - 10 October2008
The Margutta RistorArteVia Margutta, 118 - Roma Tel: +39 06 32650577 - Email: staff@ilmargutta.it - www.ilmargutta.it
Thursday, September 4, 2008
How To Unlock Channels On Dvb Dream
MERANO
Exactly 50 years ago, in July 1958, the United States arrived in Merano Ezra Pound, one of the greatest poets of the last century. The anniversary will be celebrated in Merano with a show in which students will recite his daughter, Mary de Rachewiltz and two grandchildren Patrick and Siegfried de Rachewiltz. In Merano Pound settled immediately in the castle of Brunnenburg, just below Castle Tyrol where for many years the principles of Tyrol ruled these lands, both north and south of the Brenner.
To celebrate this anniversary, the small town of Merano Theatre presents the performance / recital "Attendance. Ezra Pound in Merano. Unique elements and original 'event is the fact that the' preview of the show, scheduled for Saturday, September 27, will take place just Brunnenburg.
the representation beyond those of the Little Theatre, will take part, as the tellers in telling stories of life lived with the poet or poetry reading, the same family of Pound's daughter Mary de Rachewiltz and grandchildren Patrick and Siegfried de Rachewiltz. Saturday, October 4, directed by Roman Cavini, the show will be at the Teatro Puccini in town. 
Exactly 50 years ago, in July 1958, the United States arrived in Merano Ezra Pound, one of the greatest poets of the last century. The anniversary will be celebrated in Merano with a show in which students will recite his daughter, Mary de Rachewiltz and two grandchildren Patrick and Siegfried de Rachewiltz. In Merano Pound settled immediately in the castle of Brunnenburg, just below Castle Tyrol where for many years the principles of Tyrol ruled these lands, both north and south of the Brenner.
To celebrate this anniversary, the small town of Merano Theatre presents the performance / recital "Attendance. Ezra Pound in Merano. Unique elements and original 'event is the fact that the' preview of the show, scheduled for Saturday, September 27, will take place just Brunnenburg.
the representation beyond those of the Little Theatre, will take part, as the tellers in telling stories of life lived with the poet or poetry reading, the same family of Pound's daughter Mary de Rachewiltz and grandchildren Patrick and Siegfried de Rachewiltz. Saturday, October 4, directed by Roman Cavini, the show will be at the Teatro Puccini in town.
Monday, September 1, 2008
Doujinshi De Pokemon Yaoi
PRESS APPEAL
voglioscendere.it The blog has launched the campaign " arrests us all. Disobeying about "after the appeal of Marco Travaglio on the unit against the government bill gag. Already hundreds of accessions of citizens and journalists (the first list is available on the blog). You can join by writing to arrestatecitutti@gmail.com or leaving a comment on the blog. 
voglioscendere.it The blog has launched the campaign " arrests us all. Disobeying about "after the appeal of Marco Travaglio on the unit against the government bill gag. Already hundreds of accessions of citizens and journalists (the first list is available on the blog). You can join by writing to arrestatecitutti@gmail.com or leaving a comment on the blog.
Funbrain Poptropica The Game
Marco Travaglio
announced already that I will continue to inform readers not concealing anything that I know. Continue to publish, verbatim, in summary, the content or the way I turn, acts of investigation and wiretaps that I can get hold of, as I consider right and proper to serve the public. I will illiberal civil disobedience to this law and freedom. At the risk of ending up in jail, pay fines, to be fired. At the first trial will suffer, I will ask the court to plead before the European Court of consultation and the illegality of the new law in relation to Article 21 of the Constitution and Article 10 of the European Convention on Human Rights and Fundamental Freedoms ("Every person has the right to freedom of expression. This right shall include freedom freedom to hold opinions and to receive and impart information and ideas without interference by public authority ... ", with possible restrictions only in the case of information" confidential "or harmful to the safety and reputation). I hope that other colleagues autodenuncino advance with me and the Press Federation, the Union reporters, the association Articolo21, as well as readers, to support us in this fight for freedom. Disobedient to inform. Arrests us all.
Marco Travaglio 
announced already that I will continue to inform readers not concealing anything that I know. Continue to publish, verbatim, in summary, the content or the way I turn, acts of investigation and wiretaps that I can get hold of, as I consider right and proper to serve the public. I will illiberal civil disobedience to this law and freedom. At the risk of ending up in jail, pay fines, to be fired. At the first trial will suffer, I will ask the court to plead before the European Court of consultation and the illegality of the new law in relation to Article 21 of the Constitution and Article 10 of the European Convention on Human Rights and Fundamental Freedoms ("Every person has the right to freedom of expression. This right shall include freedom freedom to hold opinions and to receive and impart information and ideas without interference by public authority ... ", with possible restrictions only in the case of information" confidential "or harmful to the safety and reputation). I hope that other colleagues autodenuncino advance with me and the Press Federation, the Union reporters, the association Articolo21, as well as readers, to support us in this fight for freedom. Disobedient to inform. Arrests us all.
Marco Travaglio
Weave Queens New York
ENZO DOLPHIN PUBLISHING EDITOR
The Enzo Dolphin Publisher is a young publishing house founded in September 2007 by the confluence long-term experience and knowledge in the field of publishing, with the intention of dealing with the scientific literature, fiction and nonfiction, but especially to give voice to new languages, music, cinema, sports photography.
Looking for stories and new voices, it also offers courses and workshops with a view to developing new talent through dialogue, imagination, technique, bringing them closer in substance to the publishing world and the practice of writing. This is why we provide training to future professionals in the industry, providing also a wide range of professional publishing services that enable to combine creativity and choices of young offenders with the needs of the publishing market.Space, then, for aspiring writers, providing support and advice on their work skills.
In a country where the law seems almost antithetical to open a publishing house?
"This is where part of our challenge: to get closer to those who see in the book escape highbrow, an institution as a library, a pastime now anachronistic and far from our awareness. This is because to push is the belief that literature is not may be alien to the consciousness of real change, new perspectives introduced by the media and progress ever more pervasive. The fourth dimension, that of time which is recurrent, subjective time that belongs to us without rigid structure, is often alien to the life of the novels.
We want to give this opportunity, creating books that speak of / to our time, attentive to the formal structures become as prevalent, but not uniche.Ogni book, we believe, is an exchange.
We will not simply be "builders" of volumes, but us with pages and ink bridge between the reader and the writer, fouling of the everyday world of abstract words.
Even our courses pursue this ambition: to interact experiences, words, passion, and culture. What makes a book alive. All this talk is technical publishing, with courses in QuarkXpress and editorial concepts and basic graphics, both of writing, to the artistic excellence, but must be governed by the weapons of the trade and feeds on different references and different story-telling ability. Creative writing, as we understand it, is not only a series of exercises of style and image pigeonholed, but also a tool for learning to read. Graffiti dark eye of the camera, the ultimate goal is to own all the languages \u200b\u200bthat best express the reality around soaked and filtered by their idee.Poiché all knowledge starts from the perception. "
More info and insights the following link: http://www.enzodelfinoeditore.it/
Monday, August 25, 2008
Eye Of Round Roast Crock Pot Recipe
-Luigi Manconi
Luigi Manconi says the long history of the Red Brigades, and his analysis starts from the seventies, deals with the kidnapping of Moro, the long silence from 1988 to 1999 and continues until the present day.
An Italian page unique in Europe over time, programmatic coherence and ideological continuity. The glue was and remains what it Manconi calls "armed operations". Changing places, the working class is dispersed and pulverized and a new generation of militants recruited its members in areas of precarious work and submerged in the peripheral areas of the market and politics. Manconi demonstrates convincingly that the Red Brigades are a phenomenon native to the Italian society and Italian society - in its ideology, its culture and since in his "national character" - has its roots. Equally significant is the difficulty in coming to terms with the past, both in terms of judicial and politically.
Perhaps because, as he writes Manconi, terrorism has been removed and has not had the courage to recognize the cultural and political responsibilities, which are one of its causes. This has not allowed that in Italy - after the civil war simulated of the Seventies - you follow the "South African model" of the Commission for Truth and Reconciliation, and it gets really turn the page. Luigi Manconi
"TERRORISTS THE ITALIAN RED BRIGADES AND TOTAL WAR 1970-2008
"TERRORISTS THE ITALIAN RED BRIGADES AND TOTAL WAR 1970-2008
Publisher: RIZZOLIPubblicazione: 04/2008Prezzo: € 18.50
Luigi Manconi
degree in political science, sociology of political phenomena, it is dedicated to university education, first at the 'University of Palermo and then to IULM of Milan, where he is professor of Sociology of political phenomena.
Between 1969 and 1975 he played in Lotta Continua .
In seventies, using the pseudonym Simone Dessì working in different cultural and musical magazines (including Muzak), with Giaime Pintor, Gianni Borgna and Gino Castaldo is the author of numerous books on pop music and songwriters, all published by Savelli ("There was Once a cat, "" The guitar and the power, "" The Egypt "," The future of the automobile, sulfur dioxide and other things "among others).
In the eighties he founded and directed, with Massimo Cacciari and Rossanda Ross, the magazine "Antigone."
has been director of Stagecoach (with Godfrey Fofi ) and then a columnist and commentator of the major news Italian newspaper, Il Messaggero as , Corriere della Sera , La Stampa and La Repubblica and currently works at Il Sole 24 Ore .
In 1991 its partnership with RAI is abruptly interrupted and Manconi is "dismissed" after an "editorial" very critical of the then Budget Minister, Paolo Cirino Pomicino , during transmission RaiTre "round robin", conducted by Andrea Barbato .
During the nineties he was a consultant for the transmission of RAI 3 "Milan, Italy, designed and conducted by Gad Lerner.
in 1994 as an independent, was elected senator in the lists of Verdi, and participate in the work of several committees on issues that have always characterize his militancy and his research: Justice and the guarantor, the freedom individual and social guarantees, individual autonomy and "matters of life and death" (freedom from care to living wills). is a member of Amnesty International and the International Antiprohibitionist League. By Laura Balbo Association has promoted the "Italy-racism." Currently, he is a member of the environmental movement and president of "A good law. Association for Civil Liberties. "
From November 1996 to June 1999 he was national spokesperson for the Greens.
In 2005 he joined the Democratic Left , and was responsible for the National Civil Rights Department. Since 2006 he is Secretary State for Justice of the Prodi government .
Between 1969 and 1975 he played in Lotta Continua .
In seventies, using the pseudonym Simone Dessì working in different cultural and musical magazines (including Muzak), with Giaime Pintor, Gianni Borgna and Gino Castaldo is the author of numerous books on pop music and songwriters, all published by Savelli ("There was Once a cat, "" The guitar and the power, "" The Egypt "," The future of the automobile, sulfur dioxide and other things "among others).
In the eighties he founded and directed, with Massimo Cacciari and Rossanda Ross, the magazine "Antigone."
has been director of Stagecoach (with Godfrey Fofi ) and then a columnist and commentator of the major news Italian newspaper, Il Messaggero as , Corriere della Sera , La Stampa and La Repubblica and currently works at Il Sole 24 Ore .
In 1991 its partnership with RAI is abruptly interrupted and Manconi is "dismissed" after an "editorial" very critical of the then Budget Minister, Paolo Cirino Pomicino , during transmission RaiTre "round robin", conducted by Andrea Barbato .
During the nineties he was a consultant for the transmission of RAI 3 "Milan, Italy, designed and conducted by Gad Lerner.
in 1994 as an independent, was elected senator in the lists of Verdi, and participate in the work of several committees on issues that have always characterize his militancy and his research: Justice and the guarantor, the freedom individual and social guarantees, individual autonomy and "matters of life and death" (freedom from care to living wills). is a member of Amnesty International and the International Antiprohibitionist League. By Laura Balbo Association has promoted the "Italy-racism." Currently, he is a member of the environmental movement and president of "A good law. Association for Civil Liberties. "
From November 1996 to June 1999 he was national spokesperson for the Greens.
In 2005 he joined the Democratic Left , and was responsible for the National Civil Rights Department. Since 2006 he is Secretary State for Justice of the Prodi government .
Tuesday, July 22, 2008
Ingrown Hair With Yellow Crust?
THE INVENTION dei Fori Imperiali
The invention of the holes Imperali - Demolition and excavations: 1924-1940
Capitoline Museums Piazza del Campidoglio, 1
The town hall from Wednesday, July 23 to Sunday 23 November
Tuesday to Sunday from 9:00 to 20:00
shows the changes in the urban fabric of Rome, from the mid twenties until the beginning of World War II.
140 works, including photographs, paintings, frescoes and ancient sculptures in a project in which display works from the Museum of Rome and the Archive Photo Hall, the Municipal Gallery of Modern Art and the Capitoline Museums.
A wide selection to document the demolition and excavation work in the vast area of \u200b\u200bthe Forum of Augustus, the Forum and Markets of Trajan, Forum of Caesar and the Forum of Nerva, whose dramatic recovery and restoration had been made to strengthen the ideal of historical continuity Rome Fascist era imperiale.Tra the many works, a view of Mario Mafai, Trajan's Forum, 1930, is a splendid example of artistic reflection on the transformation of the Roman School of the secular urban landscape.
by: Zètema Culture Project in custody by the city of Rome
Contact:
tel. 060608 every day from 9.00 to 22.30
e-mail info.museicapitolini @ comune.roma.it
official website www.museicapitolini.org 
The invention of the holes Imperali - Demolition and excavations: 1924-1940
Capitoline Museums Piazza del Campidoglio, 1
The town hall from Wednesday, July 23 to Sunday 23 November
Tuesday to Sunday from 9:00 to 20:00
shows the changes in the urban fabric of Rome, from the mid twenties until the beginning of World War II.
140 works, including photographs, paintings, frescoes and ancient sculptures in a project in which display works from the Museum of Rome and the Archive Photo Hall, the Municipal Gallery of Modern Art and the Capitoline Museums.
A wide selection to document the demolition and excavation work in the vast area of \u200b\u200bthe Forum of Augustus, the Forum and Markets of Trajan, Forum of Caesar and the Forum of Nerva, whose dramatic recovery and restoration had been made to strengthen the ideal of historical continuity Rome Fascist era imperiale.Tra the many works, a view of Mario Mafai, Trajan's Forum, 1930, is a splendid example of artistic reflection on the transformation of the Roman School of the secular urban landscape.
by: Zètema Culture Project in custody by the city of Rome
Contact:
tel. 060608 every day from 9.00 to 22.30
e-mail info.museicapitolini @ comune.roma.it
official website www.museicapitolini.org
Wednesday, July 16, 2008
Mens Nike 56323 05553
Médicins THEATRE SANS FRONTIERES
EU Mediterranean Summit
MSF calls on all participants to improve reception conditions for migrants arriving on European shores
07/11/2008
Brussels / Rome, July 11, 2008 -
At the launch of the 'Union for the Mediterranean " planned for Sunday in Paris at the Summit of the European Union, the medical humanitarian organization Medecins Sans Frontieres (MSF) asks participants to urgently improve the reception conditions for migrants arriving on the southern shores of Europe.
Since 2000, MSF has provided medical humanitarian assistance and health monitoring of emergency landings of migrants who reach the European coast. MSF is very concerned about the conditions of these people and calls on all states concerned to ensure that they provide minimum standards of reception. MSF asks that Member States do not limit their cooperation with the Mediterranean partners for the sole control of the borders, but also improve reception conditions for migrants in accordance with international law and also to ensure access to asylum procedures, in addition to the provision of medical support.
"Increased controls and surveillance are not holding back those who are trying to reach Europe," said Antonio Virgilio, Head of Mission for MSF in Italy. "These people are fleeing from war, hunger and extreme hardship: the only option is to take that perilous journey. So now face greater risks, traveling in small boats and makeshift and for more days than in the past. In 2008 , our medical teams in Lampedusa have found that migrants need more medical care than ever before. Many arrive in a poor state of shock, with fever and burns to the sun, because of the harsh conditions in the long sea voyage. "
The MSF team in Morocco noted that the increase in border controls along the coasts of Morocco and Spain has had a significant impact on migration routes. As a result, are increasing travel aboard boats from southern Mauritania and Senegal to the Canary Islands and making their journey longer and more difficult.
To meet the needs health of migrants, MSF has developed in recent years emergency medical programs on the coasts of several countries: Spain (Tarifa, Ceuta and Melilla and the Canary Islands), Italy (Brindisi, Lampedusa), Morocco and Greece. As the agency international medical aid, the need for MSF to be present at the entry points of Europe is a factor indicative of the lack of adequate medical care currently available for these migrants.
the Italian island of Lampedusa, MSF provides initial medical screening for those who arrive on boats. An average of 12-15 thousand people visiting the island each year, but the regional health authority does not guarantee any of these services.
This year, MSF medical teams in Lampedusa have been a significant increase in the number of people who arrived on the island. Between January and June 2008 there were 146 landings, compared to only 71 in the first half of 2007. The MSF teams in Lampedusa have also noted a change in the type of people addressing the trip by boat: there are more women (+11%) and children (+4.6%) and currently over 30% of people are coming from Horn of Africa, from countries at war such as Somalia.
Even for Greece may be confirmed by a significant increase in the flow of migrants than in years past. For example, in the detention center of the island of Lesvos, the number of cases recorded in the first five months of 2008 was more than double the total number of arrivals during 2004.
As in Italy, in the detention center near the port of Patras greek, the MSF medical team has new changes in the population of migrants coming: a predominantly Kurdish to almost exclusively Afghans.
The people who come from countries at war should be considered as potential asylum seekers and the arrival of migrants should also be provided to them proper information on asylum procedures. Last year, Greece alone received more than 112mila undocumented migrants. Yet, for a total of about 25 thousand asylum applications, only eight were granted refugee status.
http://www.medicisenzafrontiere.it 
EU Mediterranean Summit
MSF calls on all participants to improve reception conditions for migrants arriving on European shores
07/11/2008
Brussels / Rome, July 11, 2008 -
At the launch of the 'Union for the Mediterranean " planned for Sunday in Paris at the Summit of the European Union, the medical humanitarian organization Medecins Sans Frontieres (MSF) asks participants to urgently improve the reception conditions for migrants arriving on the southern shores of Europe.
Since 2000, MSF has provided medical humanitarian assistance and health monitoring of emergency landings of migrants who reach the European coast. MSF is very concerned about the conditions of these people and calls on all states concerned to ensure that they provide minimum standards of reception. MSF asks that Member States do not limit their cooperation with the Mediterranean partners for the sole control of the borders, but also improve reception conditions for migrants in accordance with international law and also to ensure access to asylum procedures, in addition to the provision of medical support.
"Increased controls and surveillance are not holding back those who are trying to reach Europe," said Antonio Virgilio, Head of Mission for MSF in Italy. "These people are fleeing from war, hunger and extreme hardship: the only option is to take that perilous journey. So now face greater risks, traveling in small boats and makeshift and for more days than in the past. In 2008 , our medical teams in Lampedusa have found that migrants need more medical care than ever before. Many arrive in a poor state of shock, with fever and burns to the sun, because of the harsh conditions in the long sea voyage. "
The MSF team in Morocco noted that the increase in border controls along the coasts of Morocco and Spain has had a significant impact on migration routes. As a result, are increasing travel aboard boats from southern Mauritania and Senegal to the Canary Islands and making their journey longer and more difficult.
To meet the needs health of migrants, MSF has developed in recent years emergency medical programs on the coasts of several countries: Spain (Tarifa, Ceuta and Melilla and the Canary Islands), Italy (Brindisi, Lampedusa), Morocco and Greece. As the agency international medical aid, the need for MSF to be present at the entry points of Europe is a factor indicative of the lack of adequate medical care currently available for these migrants.
the Italian island of Lampedusa, MSF provides initial medical screening for those who arrive on boats. An average of 12-15 thousand people visiting the island each year, but the regional health authority does not guarantee any of these services.
This year, MSF medical teams in Lampedusa have been a significant increase in the number of people who arrived on the island. Between January and June 2008 there were 146 landings, compared to only 71 in the first half of 2007. The MSF teams in Lampedusa have also noted a change in the type of people addressing the trip by boat: there are more women (+11%) and children (+4.6%) and currently over 30% of people are coming from Horn of Africa, from countries at war such as Somalia.
Even for Greece may be confirmed by a significant increase in the flow of migrants than in years past. For example, in the detention center of the island of Lesvos, the number of cases recorded in the first five months of 2008 was more than double the total number of arrivals during 2004.
As in Italy, in the detention center near the port of Patras greek, the MSF medical team has new changes in the population of migrants coming: a predominantly Kurdish to almost exclusively Afghans.
The people who come from countries at war should be considered as potential asylum seekers and the arrival of migrants should also be provided to them proper information on asylum procedures. Last year, Greece alone received more than 112mila undocumented migrants. Yet, for a total of about 25 thousand asylum applications, only eight were granted refugee status.
http://www.medicisenzafrontiere.it
Sunday, July 6, 2008
Red Bridge Card Reader
VIVA ITALY FESTIVAL INTERNATIONAL BRIGADE
Taranta festival 11-12-13 July 2008 Auric Augusta theater Basel-
Taranta festival 11-12-13 July 2008 Auric Augusta theater Basel-
In the first century C., the highest authority in the Roman architecture, Vitruvius, he supposed that his predecessors knew very well how to design a theater to emphasize the human voice. "Following the rules of mathematics and the method of music, they made sure that the voices from the scene is spread more clearly and sweetly to the ears of the audience ... structuring the theaters in full agreement with the science of harmony, the ancients could to increase the power of voices, "wrote Vitruvius.
later writers have assumed that the excellent acoustics of Epidaurus, built in the fourth century BC C., may be due to the prevailing wind (which blows mainly from the stage to the audience), or it could be a general effect due to the rhythm of the greek theater particular speech or the use of masks that acted as speakers. Such use was widespread in the Roman theater. But none of these explanations explain why a modern theater, still occasionally staged, can be heard very clearly on a day devoid of wind.
It is assumed that the response could be related to the way sound is reflected from the corrugated surfaces. A striking example of this kind is given by the surface steps of a Mayan ziggurat in Mexico, or Metaponto, where the hand-clapping or the steps of a person play a sound similar to the chirping of birds or rain that falls. Scholars have calculated how the files stone seats to act on the reflection of sound, discovering that the lower frequencies of 500 Hz are damped more strongly than at higher frequencies.
Every transformation of a concept in a formal sense as a genuine and fruitful leads conseguenzauna new conception of the whole field that is dominated by it and orderly. "E. Cassirer
from direct surveys and engineering controls and scientific, meticulously redone every time the system performance theater, has come to a revision of many traditional assumptions correnti.Indubbiamente, the pattern of work, goals assumptions, the tools used to review and replace one type seemingly untouchable and now universally described and located in the history of classical architecture and in the more specific, the theatrical form, calls for much thought and forces, such large thoughts.
If we wanted to gloss Cassirer's phrase, we should point out that actually play the new proposition of the type for the conceptual implications of their morphology, involves a reinterpretation of the structure across the board, forcing us to rethink not only the issues constructive, but the same geometrical reasons for the choices. Would want to use, with technology, the concept expressed by Russell in ' Principia Mathematica ', with the definition of propositional function: it is a question not an opinion of value, but a paradigm to bring a class of judgments. The organization of space is not only dramatic and biunivocally result of the use patterns of the underlying functional classes, but, instead, is mainly linked to the symbolic relationship between representation and participation. The result is a quality organization of the entire territory of the performance of duties attached to the system that sees the figures interactive actors, for those looking demiurgic and intentionality of the text: the formal complexity that follows is a direct consequence of the equally complex functional, because the distribution of the object is commemorative of the distribution of ideas and the impact of those civilians. The general form of the function, which may appear at first in curvilinear paths in the risers to mount the stairs, not the image is transposed to the different variables of the conception of the theater, the project structure generally understood, but is a representation of the variable linkages between the various parameters of the destination and use. Basically, it's as if the space could take, from time to time, a number of qualities that derive from the primitive elementary functions and meanings that specific action would have required the actors and spectators. Thus, compared the age-old question of direct dependence on buoyancy morphological's intended use, so often imposed by the modern movement as a causality of First Instance, the analysis of the test (not even consistent in its parts and complicated, but in its total reconstruction) urges us to say that there is a clear distinction between the concept as a form and its content, ie between the idea of \u200b\u200btheater as a cultural entity and the object as a structure operating theater. Among the functional and formal object and the configuration used the same run, therefore, many logical connections, not all consistent, so it is not true that the technologies are the design and use of categories of users so direct: the choices are rather large and random, unclassifiable in a rigid concept synergy between form and function, because class space is not physical but conceptual. Tempted to return and transfer architecture, the themes advanced by a philosopher of science - though late follower Kant - that special insight, which is always here and now, is not the basis from which the ' abstraction that leads to the concept, as this intellectual production, but it also has an extremely important role: it is the catalytic element. That is precisely why the original intuition particular, although the quota, the application of concepts you already have or to produce new ones.
are reflections of those who, for years, is trying to read in a non-triumphalist, nor foolishly pessimistic, the role of technological culture in the definition, structure, use and transformation of spaces for men. Antonio Infantino
Gorky: "He is an artist who, working on their own subjective impressions, she sees a general objective meaning and express in a form convincing."
Saturday, June 28, 2008
Violin Fingerboard Stickers Uk
& Daniele Sepe 'OUR COUNTRY AND' THE WORLD '
INTERNATIONAL BRIGADE - The multi-ethnic orchestra conducted by Daniele Sepe
In distribution in all record stores From yesterday, the last "difficult" label Daniele Sepe, who, in collaboration of the International Brigade, multi-ethnic orchestra nell'accezione the full term, delivered a work that surely more worthy of note.
balance, synergy, product .. a feeling that close to perfection ..
The album has 14 tracks, each of them is a cameo by listening carefully In a music scene
desert for innovations or culturally deficient, run into a work of art that can only value a lot of pleasure ..
Here Danele Sepe thought
"A society in which an object is designed to produce music in the United States is produced
(... in disgraceful conditions) in China and then traveled around the planet without limitation
becoming an object of worship should be a society
suit. Without music and without joy. If the goods can cross the five continents without problems
while men, women and children are forced between
many dangers to escape hunger, injustice and war, it means we should, for decency,
losing his voice. "Our country is the whole world," read an old song anarchist
but you know ... anarchists ended up guillotined, garrote or in jail, while their
majesty of yesterday and today still look at us from their statues in our
squares, or wallow in pools of the Billionaire. A world upside down. But
not want to stay silent and singing and dancing should not be alone
these "mischievous". Waiting for the revolution Brigada Internazionale
door around the wonderful music of the poorest people on earth. And it does so in
joy. For spite. "
Daniele Sepe: what the intent that you code?
" Overcoming the barriers, demonstrate that music has no boundaries nor ethnic groups .. Dare, in a difficult historical context, divorced from values, where the hegemony is money, people a voice, the people, no matter what the ethnicity and Marry .. mix different musical backgrounds and make a unique ..
And yet ..
"What happens in our country is unautentico
renaissance of orchestras in many cities are born each year.
It is no coincidence the first town that you are facing these new realities
artists were those where more focused the phenomenon of immigration;
Turin, Genoa, Rome, Naples and many others. BRIGADE INTERNATIONAL is a response
the vertical spread of intolerance, the phobia for the different rounds of
towns, armies in the street. It 's the poster for the joy of being alive
, the possibility of being born again in a country that welcomes you, and
prove yourself. To have a chance. With the infectious joy and anarchy of Latin
memory the cry of "laughter will bury you"
Ll'orchestra directed by Sepe dancing in her DNA, thanks to the presence of many Latin American
. and a repertoire, equally divided between original and traditional songs
: an explosion of colors and sounds. .
short biographical notes on ingredients THE INTERNATIONAL BRIGADE
ADNAN HOZIC-BOSNIA - voice and guitar
talented musician of Bosnian origin living and playing in Italy. Attitude
gypsy, odd times and irregular Slavic gypsy style, we can hear his guitar in the project
Balkanija or Caesar of the Year and the Opa Cupa.
has worked with Goran Bregovic, and the vocalist Hajderai Meli.
Edmilson CRUZ Lemos - BRAZIL - PERCUSSION
In art Carcara Mestre, Brazil, master of Capoeira Angola,
collaborated with musicians like Gilberto Gil, Olodum, Nana Vasconcelos,
Carlinhos Brown, Tullio de Piscopo, Tony Cercola , Daniele Sepe, Arlen Azevedo, Antiquasaxa.
DORIS LAVIN - CUBA - ITEM
Singer, passionate singing and traditional singing since childhood,
winner of numerous awards at national and provincial festivals Cuban
during her singing career, she toured throughout Europe ( former Soviet Union
89 to most of the Mediterranean countries in Western Europe);
ROBERTO "Argentina" LAKE - ARGENTINA - PERCUSSION
his debut in the young South American traditional music. He works with several Argentine artists
class: Jaime Torres, Mercedes Sosa, Paco De Lucia
, Ariel Ramirez, Intillimani, Jose Carreras
uses unusual percussion instruments typical of South American folklore: the cajon, a bumblebee leguero, the sacha-bomb, but also
, innovative tools such as líHang (harmonic drive).
ISMAIL Niang-SENEGAL - ITEM
She started in the diverse universe of Senegalese music with the songs he composed
ranging from Africa to the reggae and well received by critics
. Since 2003 he has been in Naples Maikad the musical group composed of musicians
Senegalese and Italian which is very active.
CAROLINA ROBERTO BASTOS "Robertinho - BRAZIL - PERCUSSION
son of an artist from 7 generations, his first instrument is the Pandoro.
starts early to play in many schools of samba, traditional musical instruments as Repinique,
Surdo, Tamborim. He has worked with Fred Bongusto, Sergio Caputo, Tullio De Piscopo,
Toninho Horta, J. Senese, Solis Quartet Group and others.
ARLEN AZEVEDO - ARGENTINA - voice and guitar
born March 12, 1962 in Montes Claros, Brazil. Founded together with other fellow
Grupo Triune accompanying the singer Tino Gomes
concerts and on his first LP "Saudação. With Grupo Banzi,
participates in festivals in Brazil and around the world until August 1989 when
after a festival in Germany, he moving to Italy. He collaborated with James
Senese, Rino Zurzolo, Marco Zurzolo, Antonio Onorato, Toni Cercola,
Daniele Sepe.
Marzouk Mejri - TUNISIA - voice and percussion Born in
Tebourba, Tunisia, the son of art, and careful scholar
popular traditions, in the song is perfected, the study of wind instruments (nay
and zukra), and in the field percussion (Bend, tar and Tabla Tunisian), darbuka but
is the means by which it reaches levels of absolute virtuoso.
well with Daniele Sepe has worked with many artists, including James Senese
, Peppe Barra, Eduardo De Crescenzo, Modena City Ramblers, 99 Posse, Enzo
Avitabile, Nuova Compagnia di Canto Popolare.
Auli Kokko - SWEDEN - ITEM
Swedish Finnish origin given to Mediterranean sounds, amazing singer,
his style is traditional, yet innovative. Faithful partner of Art
Daniele Sepe, Auli has a powerful voice and angelic at the same time always
incredibly at ease in the Babel of languages \u200b\u200bused to express
your hand.
MONICA GEORGE - ROMANIA - ITEM
very young singer, is his first professional musical experience.
Giacoia FRANCO-ITALIAN - GUITAR
Professional since 1980, has worked with Musicanova _Eugenio Jackson, Teresa De Sio
, Gino Paoli, James Siena, Edoardo Bennato, Peppino di Capri, Roberto Murolo
, Roberto De Simone, Paola Turci, Daniele Sepe, Eduardo De Crescenzo, 2 Audio
, F. Battiato, Roberta Flack, Irene Grandi, Roberta Schiavo
Morielli - ITALY - TROMBONE
studied at the Conservatory of Music S. Pietro a Majella in Naples, where he graduated in
trombone in 1986. His collaborations are numerous and go from
'Art Ensemble of Soccavo, at the' Workshop Orchestra-"T. Monk Enzo Avitabile.
ASMUNDIS-DE PIERO ITALY - KEYBOARDS
arranger and pianist, a versatile musician, playing piano,
the keyboards accordion, synths and samplers: for years worked with the Rote Jazz Fraktion
Daniele Sepe as well as on stage with PomiglianoJazz
Don Moye, Baba Sissoko and Maurizio Capone.
Gigi De Rienzo - ITALY - LOW
Bass, a member of the Naples-power "(the new sound - blues rock where metropolitan
engage funky-jazz and world-ethnic).
collaborated with great musicians of the Italian scene, including which Pino Daniele, Tony Esposito, James Senese
VINCENT PINELLI - ITALY - drums and percussion
has participated in numerous musical events as a percussionist and drummer,
among them: "Drum Beating" with musician and composer Carlo Linnet,
the "Trofeo Moretti" by Lucio Dalla and Jorge Ben S. Paolo stadium, "napulitana"
concert of music and poetry with musician and actor Raffaello Converso. Sounds
Drums, Marimba, Vibraphone, Xylophone, Timpani Orchestra, bongo, conga, cowbells, tambourines etc
of peasant origin. GIANFRANCO
Campagnolo - ITALY - TRUMPET
Born in Naples, graduated in trumpet at the Music Conservstorio S.
Pietro a Majella in Naples. Since 1989 already soloist in Civic Band Concert
town of Acerra. He has participated in many big concerts as the First Trumpet
Alessandro Scarlatti with the orchestra and the orchestra Conservatory of Naples.
His resume boasts many contributions, both for theatrical productions,
orchestras, and for television programs, and important Italian artists.
Daniele Sepe - ITALY - SAX and musical direction
Born in Naples on April 17, 1960. Graduated from the Conservatory of San Pietro a Majella in Naples
has always been interested in all aspects of making music without
distinctions between genres and languages. At age 15 he joined the Workers' Group
Pomigliano D 'Arco' E Zezi with which the public record "Tammurriata
of Alfa South". For years he worked as a session or live in the studio with the most diverse
situations, by a NCCP Bisca, 99 Posse by Peppino Gagliardi, by Akhenaton
Nino D'Angelo. Then he can put aside the money to self-produce his first record
"Malamusica" with whom he began a solo career that brought him to realize
to date more than 15 cd among which "lives lost",
"Travel outside the neighborhood, "" Do you know Victor Jara? "," Nia Maro "," Sound 1
to educate 100 "," Kronomakia.
The meeting with the Swedish singer and Auli Kokko 'crucial to make his
enjoyable music to an audience not only passionate about jazz. With his group,
"Art Ensemble of Soccavo", takes part in numerous jazz festivals or world
in Italy and above all 'foreign. such as the legendary Sziget Festival in Budapest or
Womad Brussels and Marseilles. It produces music for film by Davide Ferrario, Gabriele Salvatores
, Antonietta De Lillo, Mario Martone, Gianfranco Pannone
and many others. His records, despite the apparent propensity for not "marketability"
climb the charts countless times Italian and foreign companies ("Travel outside
neighborhood" exceeds 42,000 copies ...). He does not like to repeat too often the same
"ladder" live, and often even his players know where to go. to "shield"
's performance of the evening. The CD "Hard Labor" won the prize in 1997
Tenco as best album in dialect and the Italian Award nomination
Music (PIM).
Thanks to Daniel and Brigada to create wonderful emotions with respect and much love .. .. 
INTERNATIONAL BRIGADE - The multi-ethnic orchestra conducted by Daniele Sepe
In distribution in all record stores From yesterday, the last "difficult" label Daniele Sepe, who, in collaboration of the International Brigade, multi-ethnic orchestra nell'accezione the full term, delivered a work that surely more worthy of note.
balance, synergy, product .. a feeling that close to perfection ..
The album has 14 tracks, each of them is a cameo by listening carefully In a music scene
desert for innovations or culturally deficient, run into a work of art that can only value a lot of pleasure ..
Here Danele Sepe thought
"A society in which an object is designed to produce music in the United States is produced
(... in disgraceful conditions) in China and then traveled around the planet without limitation
becoming an object of worship should be a society
suit. Without music and without joy. If the goods can cross the five continents without problems
while men, women and children are forced between
many dangers to escape hunger, injustice and war, it means we should, for decency,
losing his voice. "Our country is the whole world," read an old song anarchist
but you know ... anarchists ended up guillotined, garrote or in jail, while their
majesty of yesterday and today still look at us from their statues in our
squares, or wallow in pools of the Billionaire. A world upside down. But
not want to stay silent and singing and dancing should not be alone
these "mischievous". Waiting for the revolution Brigada Internazionale
door around the wonderful music of the poorest people on earth. And it does so in
joy. For spite. "
Daniele Sepe: what the intent that you code?
" Overcoming the barriers, demonstrate that music has no boundaries nor ethnic groups .. Dare, in a difficult historical context, divorced from values, where the hegemony is money, people a voice, the people, no matter what the ethnicity and Marry .. mix different musical backgrounds and make a unique ..
And yet ..
"What happens in our country is unautentico
renaissance of orchestras in many cities are born each year.
It is no coincidence the first town that you are facing these new realities
artists were those where more focused the phenomenon of immigration;
Turin, Genoa, Rome, Naples and many others. BRIGADE INTERNATIONAL is a response
the vertical spread of intolerance, the phobia for the different rounds of
towns, armies in the street. It 's the poster for the joy of being alive
, the possibility of being born again in a country that welcomes you, and
prove yourself. To have a chance. With the infectious joy and anarchy of Latin
memory the cry of "laughter will bury you"
Ll'orchestra directed by Sepe dancing in her DNA, thanks to the presence of many Latin American
. and a repertoire, equally divided between original and traditional songs
: an explosion of colors and sounds. .
short biographical notes on ingredients THE INTERNATIONAL BRIGADE
ADNAN HOZIC-BOSNIA - voice and guitar
talented musician of Bosnian origin living and playing in Italy. Attitude
gypsy, odd times and irregular Slavic gypsy style, we can hear his guitar in the project
Balkanija or Caesar of the Year and the Opa Cupa.
has worked with Goran Bregovic, and the vocalist Hajderai Meli.
Edmilson CRUZ Lemos - BRAZIL - PERCUSSION
In art Carcara Mestre, Brazil, master of Capoeira Angola,
collaborated with musicians like Gilberto Gil, Olodum, Nana Vasconcelos,
Carlinhos Brown, Tullio de Piscopo, Tony Cercola , Daniele Sepe, Arlen Azevedo, Antiquasaxa.
DORIS LAVIN - CUBA - ITEM
Singer, passionate singing and traditional singing since childhood,
winner of numerous awards at national and provincial festivals Cuban
during her singing career, she toured throughout Europe ( former Soviet Union
89 to most of the Mediterranean countries in Western Europe);
ROBERTO "Argentina" LAKE - ARGENTINA - PERCUSSION
his debut in the young South American traditional music. He works with several Argentine artists
class: Jaime Torres, Mercedes Sosa, Paco De Lucia
, Ariel Ramirez, Intillimani, Jose Carreras
uses unusual percussion instruments typical of South American folklore: the cajon, a bumblebee leguero, the sacha-bomb, but also
, innovative tools such as líHang (harmonic drive).
ISMAIL Niang-SENEGAL - ITEM
She started in the diverse universe of Senegalese music with the songs he composed
ranging from Africa to the reggae and well received by critics
. Since 2003 he has been in Naples Maikad the musical group composed of musicians
Senegalese and Italian which is very active.
CAROLINA ROBERTO BASTOS "Robertinho - BRAZIL - PERCUSSION
son of an artist from 7 generations, his first instrument is the Pandoro.
starts early to play in many schools of samba, traditional musical instruments as Repinique,
Surdo, Tamborim. He has worked with Fred Bongusto, Sergio Caputo, Tullio De Piscopo,
Toninho Horta, J. Senese, Solis Quartet Group and others.
ARLEN AZEVEDO - ARGENTINA - voice and guitar
born March 12, 1962 in Montes Claros, Brazil. Founded together with other fellow
Grupo Triune accompanying the singer Tino Gomes
concerts and on his first LP "Saudação. With Grupo Banzi,
participates in festivals in Brazil and around the world until August 1989 when
after a festival in Germany, he moving to Italy. He collaborated with James
Senese, Rino Zurzolo, Marco Zurzolo, Antonio Onorato, Toni Cercola,
Daniele Sepe.
Marzouk Mejri - TUNISIA - voice and percussion Born in
Tebourba, Tunisia, the son of art, and careful scholar
popular traditions, in the song is perfected, the study of wind instruments (nay
and zukra), and in the field percussion (Bend, tar and Tabla Tunisian), darbuka but
is the means by which it reaches levels of absolute virtuoso.
well with Daniele Sepe has worked with many artists, including James Senese
, Peppe Barra, Eduardo De Crescenzo, Modena City Ramblers, 99 Posse, Enzo
Avitabile, Nuova Compagnia di Canto Popolare.
Auli Kokko - SWEDEN - ITEM
Swedish Finnish origin given to Mediterranean sounds, amazing singer,
his style is traditional, yet innovative. Faithful partner of Art
Daniele Sepe, Auli has a powerful voice and angelic at the same time always
incredibly at ease in the Babel of languages \u200b\u200bused to express
your hand.
MONICA GEORGE - ROMANIA - ITEM
very young singer, is his first professional musical experience.
Giacoia FRANCO-ITALIAN - GUITAR
Professional since 1980, has worked with Musicanova _Eugenio Jackson, Teresa De Sio
, Gino Paoli, James Siena, Edoardo Bennato, Peppino di Capri, Roberto Murolo
, Roberto De Simone, Paola Turci, Daniele Sepe, Eduardo De Crescenzo, 2 Audio
, F. Battiato, Roberta Flack, Irene Grandi, Roberta Schiavo
Morielli - ITALY - TROMBONE
studied at the Conservatory of Music S. Pietro a Majella in Naples, where he graduated in
trombone in 1986. His collaborations are numerous and go from
'Art Ensemble of Soccavo, at the' Workshop Orchestra-"T. Monk Enzo Avitabile.
ASMUNDIS-DE PIERO ITALY - KEYBOARDS
arranger and pianist, a versatile musician, playing piano,
the keyboards accordion, synths and samplers: for years worked with the Rote Jazz Fraktion
Daniele Sepe as well as on stage with PomiglianoJazz
Don Moye, Baba Sissoko and Maurizio Capone.
Gigi De Rienzo - ITALY - LOW
Bass, a member of the Naples-power "(the new sound - blues rock where metropolitan
engage funky-jazz and world-ethnic).
collaborated with great musicians of the Italian scene, including which Pino Daniele, Tony Esposito, James Senese
VINCENT PINELLI - ITALY - drums and percussion
has participated in numerous musical events as a percussionist and drummer,
among them: "Drum Beating" with musician and composer Carlo Linnet,
the "Trofeo Moretti" by Lucio Dalla and Jorge Ben S. Paolo stadium, "napulitana"
concert of music and poetry with musician and actor Raffaello Converso. Sounds
Drums, Marimba, Vibraphone, Xylophone, Timpani Orchestra, bongo, conga, cowbells, tambourines etc
of peasant origin. GIANFRANCO
Campagnolo - ITALY - TRUMPET
Born in Naples, graduated in trumpet at the Music Conservstorio S.
Pietro a Majella in Naples. Since 1989 already soloist in Civic Band Concert
town of Acerra. He has participated in many big concerts as the First Trumpet
Alessandro Scarlatti with the orchestra and the orchestra Conservatory of Naples.
His resume boasts many contributions, both for theatrical productions,
orchestras, and for television programs, and important Italian artists.
Daniele Sepe - ITALY - SAX and musical direction
Born in Naples on April 17, 1960. Graduated from the Conservatory of San Pietro a Majella in Naples
has always been interested in all aspects of making music without
distinctions between genres and languages. At age 15 he joined the Workers' Group
Pomigliano D 'Arco' E Zezi with which the public record "Tammurriata
of Alfa South". For years he worked as a session or live in the studio with the most diverse
situations, by a NCCP Bisca, 99 Posse by Peppino Gagliardi, by Akhenaton
Nino D'Angelo. Then he can put aside the money to self-produce his first record
"Malamusica" with whom he began a solo career that brought him to realize
to date more than 15 cd among which "lives lost",
"Travel outside the neighborhood, "" Do you know Victor Jara? "," Nia Maro "," Sound 1
to educate 100 "," Kronomakia.
The meeting with the Swedish singer and Auli Kokko 'crucial to make his
enjoyable music to an audience not only passionate about jazz. With his group,
"Art Ensemble of Soccavo", takes part in numerous jazz festivals or world
in Italy and above all 'foreign. such as the legendary Sziget Festival in Budapest or
Womad Brussels and Marseilles. It produces music for film by Davide Ferrario, Gabriele Salvatores
, Antonietta De Lillo, Mario Martone, Gianfranco Pannone
and many others. His records, despite the apparent propensity for not "marketability"
climb the charts countless times Italian and foreign companies ("Travel outside
neighborhood" exceeds 42,000 copies ...). He does not like to repeat too often the same
"ladder" live, and often even his players know where to go. to "shield"
's performance of the evening. The CD "Hard Labor" won the prize in 1997
Tenco as best album in dialect and the Italian Award nomination
Music (PIM).
Thanks to Daniel and Brigada to create wonderful emotions with respect and much love .. ..
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