Monday, September 15, 2008
Gangs And Rosary Beads
, A MYTH FADES
member of the Historical Pink Floyd, Rick Wright died of cancer the age of 65. Wright was one of the founders of the British band in 1965 along with Nick Mason, Roger Waters and Syd Barrett.
Richard William Wright was born in London on July 28, 1943 from a wealthy family. After a few past the London College of Music, he enrolled at the Faculty of Architecture, where he met two future members of Floyd, Roger Waters and Nick Mason. Along with Barrett founded one of the most important bands of all time. The composition of vein
Wright has contributed songs to epic and far-reaching as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. But the most commercially successful tracks signed only by the keyboard are two historical pieces: one taken from Dark Side of the Moon (1973), The Great Gig in the Sky, and another, Summer '68, by Mother AtomHeart 1970.
Keyboardist and singer was fired after several disagreements with Floyd by Roger Waters at the time of The Wall in 1979. Back into the group in an official capacity in 1987 during the sessions of A Momentary Lapse of Reason, when it was David Gilmour at the helm.
BIOGRAPHY Born into a wealthy family in the district of Hatch End to London, as a teenager he entered the London College of Music, and there he has his first encounter with the music. Forget your piano lessons after just two weeks. Later he enrolled at the Regent Street Polytechnic School of Architecture. He meets Roger Waters and Nick Mason , but soon abandoned his studies to pursue his passion for music. In 1965 the three, along with Syd Barrett , founded Pink Floyd. After the release of
Syd Barrett, Wright became the composer's melodic group. The similarity of his voice with the guitarist who replaced Barrett, David Gilmour is used to create special effects in some songs.
Although not prolific as his fellow Waters and Gilmour, Wright has contributed substantially to the same wide-ranging and epic, such as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. His most successful pieces of trade are two songs on the album Dark Side of the Moon (1973 ): The Great Gig in the Sky and Us and Them, but also "Keep talking" comes from "The Division Bell" (1994).
be remembered among his compositions are certainly Sysyphus album Ummagumma ( 1969) and Summer '68 album Atom Heart Mother ( 1970).
The Pink Floyd album that has increased its contribution is certainly Wish You Were Here. There is hardly a place where there is this album, background, the carpet Wright Music. His is also the music-in which uses three-synthesizer sounded simultaneously which ends the album, played alone without the participation of the other three.
After some personal problems related to their personal lives (divorce), and probably also to excessive use of cocaine (which is always denied by the applicant), Wright was sent off by Roger Waters during the recording of The Wall (1979). Continue to play the next concert 1980 and 1981 promoting the album, but only as a salaried musician even if it must be emphasized that in all cases the final greeting was always present with the other Floyd. Ironically, Wright was the only one to gain economically from the concerts, since the costs - as well as his pay - had to be paid by other group members.
next album, The Final Cut ( 1983), is the only one that Rick Wright, now permanently excluded from the group, does not contribute. Despite this, he and drummer Nick Mason are the only members of the group to have played at every concert of Pink Floyd, The Final Cut place had no promotional tour.
In 1984 he formed a group with Dave Harris, the Zee . After signing a contract with Atlantic Records , Zee's released their first and only album, Identity .
Following the complete failure of the album, Wright was absent from the group since the concerts "The Wall" of 1980-81, was called by Gilmour to help out during the closing session of "A Momentary Lapse of Reason" [1987] (Waters has now left the group for four years), working on some tracks of 'album. Is reinstated as a full member of the group with the album Delicate Sound of Thunder ( 1988), a double that selects between the material recorded at concerts of the tour following the album. The album
next Division Bell (1994), writes and sings five songs Wearing the Inside Out, certifying his personal artistic rebirth to lofty levels.
Encouraged by the decisive contribution to The Division Bell, in 1996 Wright released his second solo album, Broken China, where among the guests appearing talents as Sinead O'Connor, Pino Palladino and Tim Renwick . The album was not commercially successful, but in time it was really re-evaluated, so that a song of this album was included in the lineup of the few Gilmour concerts in 2001-2002.
In 2006 Wright returns to the studio to collaborate with Gilmour on the third solo album of the latter, On an Island playing on two tracks. The album will have a critical and commercial success of raggiugerà really noisy and the No. 1 in many countries such as Italy and the United Kingdom. The next tour of David Gilmour, Wright has participated as a permanent member giving the bottom of all the harpsichord and its repertoire and to contribute in terms of vocal performance, illuminating the scene with his sensitivity. The tour has been very successful in all dates. Witness the experience and stature of the Wright Music is its tour DVD released in Italy September 14, 2007. From the point of view
instrumental Richard Wright in the history of Pink Floyd has built the "wall of sound" beyond which stood out on his epic solo Gilmour. Extraction of jazz, has managed to evolve until you enter in a natural environment and a psychedelic sensibility really unparalleled. His moments
levels may be considered for the entire first two album, the riff repeated body of Atom Heart Mother , synthesizer laden with effects Any color you like, along with those of almost obsessive Welcome to the machine and Dogs, Sheep the intro, the round of Hammond in Pigs (Three Different Ones) and part of the album's keyboard The Division Bell. His undisputed masterpieces, including in the composition, are undoubtedly the wall of sound and the intro to Echoes , the whole sound portion of The Great Gig In The Sky , the plan Us and Them, synthesizers Shine on you crazy diamond .
As lead singer of Pink Floyd has always provided support sporadic but thick, often as part of agreement. Her best vocal performances are certainly recognizable in the songs Echoes, Time , "Burning Bridges" and Wearing the Inside Out . Also notable is his vocal performance in the live version of Arnold Layne , Floyd's first single, revived in 2006 by David Gilmour in ' On An Island "tour.
Richard Wright died suddenly September 15, 2008, after a brief fight against cancer. 
member of the Historical Pink Floyd, Rick Wright died of cancer the age of 65. Wright was one of the founders of the British band in 1965 along with Nick Mason, Roger Waters and Syd Barrett.
Richard William Wright was born in London on July 28, 1943 from a wealthy family. After a few past the London College of Music, he enrolled at the Faculty of Architecture, where he met two future members of Floyd, Roger Waters and Nick Mason. Along with Barrett founded one of the most important bands of all time. The composition of vein
Wright has contributed songs to epic and far-reaching as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. But the most commercially successful tracks signed only by the keyboard are two historical pieces: one taken from Dark Side of the Moon (1973), The Great Gig in the Sky, and another, Summer '68, by Mother AtomHeart 1970.
Keyboardist and singer was fired after several disagreements with Floyd by Roger Waters at the time of The Wall in 1979. Back into the group in an official capacity in 1987 during the sessions of A Momentary Lapse of Reason, when it was David Gilmour at the helm.
BIOGRAPHY Born into a wealthy family in the district of Hatch End to London, as a teenager he entered the London College of Music, and there he has his first encounter with the music. Forget your piano lessons after just two weeks. Later he enrolled at the Regent Street Polytechnic School of Architecture. He meets Roger Waters and Nick Mason , but soon abandoned his studies to pursue his passion for music. In 1965 the three, along with Syd Barrett , founded Pink Floyd. After the release of
Syd Barrett, Wright became the composer's melodic group. The similarity of his voice with the guitarist who replaced Barrett, David Gilmour is used to create special effects in some songs.
Although not prolific as his fellow Waters and Gilmour, Wright has contributed substantially to the same wide-ranging and epic, such as A Saucerful of Secrets, Echoes and Shine On You Crazy Diamond. His most successful pieces of trade are two songs on the album Dark Side of the Moon (1973 ): The Great Gig in the Sky and Us and Them, but also "Keep talking" comes from "The Division Bell" (1994).
be remembered among his compositions are certainly Sysyphus album Ummagumma ( 1969) and Summer '68 album Atom Heart Mother ( 1970).
The Pink Floyd album that has increased its contribution is certainly Wish You Were Here. There is hardly a place where there is this album, background, the carpet Wright Music. His is also the music-in which uses three-synthesizer sounded simultaneously which ends the album, played alone without the participation of the other three.
After some personal problems related to their personal lives (divorce), and probably also to excessive use of cocaine (which is always denied by the applicant), Wright was sent off by Roger Waters during the recording of The Wall (1979). Continue to play the next concert 1980 and 1981 promoting the album, but only as a salaried musician even if it must be emphasized that in all cases the final greeting was always present with the other Floyd. Ironically, Wright was the only one to gain economically from the concerts, since the costs - as well as his pay - had to be paid by other group members.
next album, The Final Cut ( 1983), is the only one that Rick Wright, now permanently excluded from the group, does not contribute. Despite this, he and drummer Nick Mason are the only members of the group to have played at every concert of Pink Floyd, The Final Cut place had no promotional tour.
In 1984 he formed a group with Dave Harris, the Zee . After signing a contract with Atlantic Records , Zee's released their first and only album, Identity .
Following the complete failure of the album, Wright was absent from the group since the concerts "The Wall" of 1980-81, was called by Gilmour to help out during the closing session of "A Momentary Lapse of Reason" [1987] (Waters has now left the group for four years), working on some tracks of 'album. Is reinstated as a full member of the group with the album Delicate Sound of Thunder ( 1988), a double that selects between the material recorded at concerts of the tour following the album. The album
next Division Bell (1994), writes and sings five songs Wearing the Inside Out, certifying his personal artistic rebirth to lofty levels.
Encouraged by the decisive contribution to The Division Bell, in 1996 Wright released his second solo album, Broken China, where among the guests appearing talents as Sinead O'Connor, Pino Palladino and Tim Renwick . The album was not commercially successful, but in time it was really re-evaluated, so that a song of this album was included in the lineup of the few Gilmour concerts in 2001-2002.
In 2006 Wright returns to the studio to collaborate with Gilmour on the third solo album of the latter, On an Island playing on two tracks. The album will have a critical and commercial success of raggiugerà really noisy and the No. 1 in many countries such as Italy and the United Kingdom. The next tour of David Gilmour, Wright has participated as a permanent member giving the bottom of all the harpsichord and its repertoire and to contribute in terms of vocal performance, illuminating the scene with his sensitivity. The tour has been very successful in all dates. Witness the experience and stature of the Wright Music is its tour DVD released in Italy September 14, 2007. From the point of view
instrumental Richard Wright in the history of Pink Floyd has built the "wall of sound" beyond which stood out on his epic solo Gilmour. Extraction of jazz, has managed to evolve until you enter in a natural environment and a psychedelic sensibility really unparalleled. His moments
levels may be considered for the entire first two album, the riff repeated body of Atom Heart Mother , synthesizer laden with effects Any color you like, along with those of almost obsessive Welcome to the machine and Dogs, Sheep the intro, the round of Hammond in Pigs (Three Different Ones) and part of the album's keyboard The Division Bell. His undisputed masterpieces, including in the composition, are undoubtedly the wall of sound and the intro to Echoes , the whole sound portion of The Great Gig In The Sky , the plan Us and Them, synthesizers Shine on you crazy diamond .
As lead singer of Pink Floyd has always provided support sporadic but thick, often as part of agreement. Her best vocal performances are certainly recognizable in the songs Echoes, Time , "Burning Bridges" and Wearing the Inside Out . Also notable is his vocal performance in the live version of Arnold Layne , Floyd's first single, revived in 2006 by David Gilmour in ' On An Island "tour.
Richard Wright died suddenly September 15, 2008, after a brief fight against cancer.
Tuesday, September 9, 2008
Merilyn Sekova Facebook
ANTONIO WOMAN OF EZRA POUND
ANTONIODEL WOMEN
Tina Vann Margutta RistorArte submit to the personal exhibition of Antonio Del Donno, organized by the Horti-Lamiani Betti, edited by Giorgio Calò.
The exhibition presents a selection of works by the artist made from the sixties to today. .
In the society of the spectacle that could "burn the signs and gestures more meaningful," Antonio Del Donno - Italian artist "modern classics", as defined by Achille Bonito Oliva - changes signs in the message. The medium, the canvas becomes message through words, gestures and phrases informal bays on bright colors that become channels. And, entirely consistent with, is the outlet of the painting of the first Del Donno in the collage, then in the graphics, and finally in a search based on the rapid consumption of the visual object. To confirm this visual poetry the use of contrasting colors, violently dissonant, where the brush is sometimes stronger, sometimes less.
is precisely the infinite variety of colors to catch the eye of the public: the color, with vibrant brushstrokes, it becomes the same subject. But the line has a key role in the painting of Del Donno. After cinqunata years of his artistic research is still dominated by the line drawn with the same energy and lived always looking for new languages. In none of Del Donno (except photographs) appear human figures. In fact his works are popolatre of people: it is the viewer himself, who receives and consumes the work through the signs, phrases, colors, gestures that appear before ."... In the work of Del Donno no indulgence to the citation and the remake, there's quite the pick-up and rebuilding, as when we use an old tool or an abandoned object and adapt it to new uses "(Filiberto Menna, 1987).
"Antonio Del Donno moves from one location, which tends to incorporate in their operation and the evidence of the phenomenal world and a possible subsequent measurement. The materials used are wood, plastic and others from industry. He organizes everything so as to make the container of light, which is encased in structures and then returned through the thin plastic plates that allow the excess. The entire organization responds to a criterion which tends not only to bring about a cover-up newspaper space by highlighting the shapes resolved according to an aesthetic attitude, but also a constant challenge of governing the urban space. "(Achille Bonito Oliva)
Many critics and art historians have dealt with the work, forty years, Del Donno. Just to name a few: Filiberto Menna, Mirella Bentivoglio, Achille Bonito Oliva, Elio Galasso, Nico De Vincentiis, Silvio Zanella, Antonio Petrilli.
Antonio Del Donno
Antonio Del Donno was born in Benevento on 11/27/1927. He attended the Technical Institute for Surveyors in the years 1945/50, was only interested in the technical design and architecture and he cared for so lovingly that he discovered the beauty in geometry. He decided to attend the Academy of Fine Arts of Naples, and it was there that he felt encouraged by all that watched and takes up the excitement, he knew immediately that this was the way to go and that the design was his life, to the amazement of his father, Nicola Del Donno, perfect bureaucrat as an official of the Prefecture, and the joy of his mother, Anita Ferrelli, which like all Ferrelli felt love for art. After completing his studies at the Art School of Naples, he obtained the chair of Art Education at the School of Media Vitelli Benevento. The isegnamento allowed him to devote himself to a lot of availability. In the years 1960/70, he began to frequent the Galleria Lucio Amelio in Naples, together with Mimmo Paladino, the only friend with whom he exchanged ideas, emotions and research. Both, in fact, were interested in learning the new culture that is breathed in that time: total rejection of everything that was author, academic rhetoric. Both are always present at all conferences, debates, exhibitions of famous European and American artists, remaining involved emotionally. Curiosity prompted him to learn to travel abroad. The Venice Biennial of 1964 was decisive for him, there he met his arrogance, and the chance to experience the joy of Rauschenberg, which he used in his paintings carry the camera, objects, and connected it all with a violent stroke dealt with in turn by De Kooning, Pollock and other gestural painters of that time. Del Donno has always had a language, a form of expression consistent with his gestures, and a love for photography. Rauschenberg, Tapies, Widow, Schifani, Warhol, were his teachers, has pulled out its roots, helped him find himself. The building, feel like a craftsman manipulating the iron, wood, is something that carries childhood. From wheelchairs to scooters, now, to make objects related to art. Here is how come the "Gospels", tables of recovered wood glued and incerniate with iron hinges and with letters of fire reported Gospel verses to denounce a state of affairs. Del Donno was a liberating act, as it was a trap to have achieved the greatness of 'man, wanting to give a check against state power, "his autobiography." In fact in all his work there is a social problem, a beyond all political ideologies - religious, there is above all the pleasure of the game that contains the charm of the shapes and lines in harmony with each other, where the simplicity and spontaneity prevails.
Antonio Del Donno
Vernissage: Wednesday, September 10, 2008, 18:00 - 10 October2008
The Margutta RistorArteVia Margutta, 118 - Roma Tel: +39 06 32650577 - Email: staff@ilmargutta.it - www.ilmargutta.it 
ANTONIODEL WOMEN
Tina Vann Margutta RistorArte submit to the personal exhibition of Antonio Del Donno, organized by the Horti-Lamiani Betti, edited by Giorgio Calò.
The exhibition presents a selection of works by the artist made from the sixties to today. .
In the society of the spectacle that could "burn the signs and gestures more meaningful," Antonio Del Donno - Italian artist "modern classics", as defined by Achille Bonito Oliva - changes signs in the message. The medium, the canvas becomes message through words, gestures and phrases informal bays on bright colors that become channels. And, entirely consistent with, is the outlet of the painting of the first Del Donno in the collage, then in the graphics, and finally in a search based on the rapid consumption of the visual object. To confirm this visual poetry the use of contrasting colors, violently dissonant, where the brush is sometimes stronger, sometimes less.
is precisely the infinite variety of colors to catch the eye of the public: the color, with vibrant brushstrokes, it becomes the same subject. But the line has a key role in the painting of Del Donno. After cinqunata years of his artistic research is still dominated by the line drawn with the same energy and lived always looking for new languages. In none of Del Donno (except photographs) appear human figures. In fact his works are popolatre of people: it is the viewer himself, who receives and consumes the work through the signs, phrases, colors, gestures that appear before ."... In the work of Del Donno no indulgence to the citation and the remake, there's quite the pick-up and rebuilding, as when we use an old tool or an abandoned object and adapt it to new uses "(Filiberto Menna, 1987).
"Antonio Del Donno moves from one location, which tends to incorporate in their operation and the evidence of the phenomenal world and a possible subsequent measurement. The materials used are wood, plastic and others from industry. He organizes everything so as to make the container of light, which is encased in structures and then returned through the thin plastic plates that allow the excess. The entire organization responds to a criterion which tends not only to bring about a cover-up newspaper space by highlighting the shapes resolved according to an aesthetic attitude, but also a constant challenge of governing the urban space. "(Achille Bonito Oliva)
Many critics and art historians have dealt with the work, forty years, Del Donno. Just to name a few: Filiberto Menna, Mirella Bentivoglio, Achille Bonito Oliva, Elio Galasso, Nico De Vincentiis, Silvio Zanella, Antonio Petrilli.
Antonio Del Donno
Antonio Del Donno was born in Benevento on 11/27/1927. He attended the Technical Institute for Surveyors in the years 1945/50, was only interested in the technical design and architecture and he cared for so lovingly that he discovered the beauty in geometry. He decided to attend the Academy of Fine Arts of Naples, and it was there that he felt encouraged by all that watched and takes up the excitement, he knew immediately that this was the way to go and that the design was his life, to the amazement of his father, Nicola Del Donno, perfect bureaucrat as an official of the Prefecture, and the joy of his mother, Anita Ferrelli, which like all Ferrelli felt love for art. After completing his studies at the Art School of Naples, he obtained the chair of Art Education at the School of Media Vitelli Benevento. The isegnamento allowed him to devote himself to a lot of availability. In the years 1960/70, he began to frequent the Galleria Lucio Amelio in Naples, together with Mimmo Paladino, the only friend with whom he exchanged ideas, emotions and research. Both, in fact, were interested in learning the new culture that is breathed in that time: total rejection of everything that was author, academic rhetoric. Both are always present at all conferences, debates, exhibitions of famous European and American artists, remaining involved emotionally. Curiosity prompted him to learn to travel abroad. The Venice Biennial of 1964 was decisive for him, there he met his arrogance, and the chance to experience the joy of Rauschenberg, which he used in his paintings carry the camera, objects, and connected it all with a violent stroke dealt with in turn by De Kooning, Pollock and other gestural painters of that time. Del Donno has always had a language, a form of expression consistent with his gestures, and a love for photography. Rauschenberg, Tapies, Widow, Schifani, Warhol, were his teachers, has pulled out its roots, helped him find himself. The building, feel like a craftsman manipulating the iron, wood, is something that carries childhood. From wheelchairs to scooters, now, to make objects related to art. Here is how come the "Gospels", tables of recovered wood glued and incerniate with iron hinges and with letters of fire reported Gospel verses to denounce a state of affairs. Del Donno was a liberating act, as it was a trap to have achieved the greatness of 'man, wanting to give a check against state power, "his autobiography." In fact in all his work there is a social problem, a beyond all political ideologies - religious, there is above all the pleasure of the game that contains the charm of the shapes and lines in harmony with each other, where the simplicity and spontaneity prevails.
Antonio Del Donno
Vernissage: Wednesday, September 10, 2008, 18:00 - 10 October2008
The Margutta RistorArteVia Margutta, 118 - Roma Tel: +39 06 32650577 - Email: staff@ilmargutta.it - www.ilmargutta.it
Thursday, September 4, 2008
How To Unlock Channels On Dvb Dream
MERANO
Exactly 50 years ago, in July 1958, the United States arrived in Merano Ezra Pound, one of the greatest poets of the last century. The anniversary will be celebrated in Merano with a show in which students will recite his daughter, Mary de Rachewiltz and two grandchildren Patrick and Siegfried de Rachewiltz. In Merano Pound settled immediately in the castle of Brunnenburg, just below Castle Tyrol where for many years the principles of Tyrol ruled these lands, both north and south of the Brenner.
To celebrate this anniversary, the small town of Merano Theatre presents the performance / recital "Attendance. Ezra Pound in Merano. Unique elements and original 'event is the fact that the' preview of the show, scheduled for Saturday, September 27, will take place just Brunnenburg.
the representation beyond those of the Little Theatre, will take part, as the tellers in telling stories of life lived with the poet or poetry reading, the same family of Pound's daughter Mary de Rachewiltz and grandchildren Patrick and Siegfried de Rachewiltz. Saturday, October 4, directed by Roman Cavini, the show will be at the Teatro Puccini in town. 
Exactly 50 years ago, in July 1958, the United States arrived in Merano Ezra Pound, one of the greatest poets of the last century. The anniversary will be celebrated in Merano with a show in which students will recite his daughter, Mary de Rachewiltz and two grandchildren Patrick and Siegfried de Rachewiltz. In Merano Pound settled immediately in the castle of Brunnenburg, just below Castle Tyrol where for many years the principles of Tyrol ruled these lands, both north and south of the Brenner.
To celebrate this anniversary, the small town of Merano Theatre presents the performance / recital "Attendance. Ezra Pound in Merano. Unique elements and original 'event is the fact that the' preview of the show, scheduled for Saturday, September 27, will take place just Brunnenburg.
the representation beyond those of the Little Theatre, will take part, as the tellers in telling stories of life lived with the poet or poetry reading, the same family of Pound's daughter Mary de Rachewiltz and grandchildren Patrick and Siegfried de Rachewiltz. Saturday, October 4, directed by Roman Cavini, the show will be at the Teatro Puccini in town.
Monday, September 1, 2008
Doujinshi De Pokemon Yaoi
PRESS APPEAL
voglioscendere.it The blog has launched the campaign " arrests us all. Disobeying about "after the appeal of Marco Travaglio on the unit against the government bill gag. Already hundreds of accessions of citizens and journalists (the first list is available on the blog). You can join by writing to arrestatecitutti@gmail.com or leaving a comment on the blog. 
voglioscendere.it The blog has launched the campaign " arrests us all. Disobeying about "after the appeal of Marco Travaglio on the unit against the government bill gag. Already hundreds of accessions of citizens and journalists (the first list is available on the blog). You can join by writing to arrestatecitutti@gmail.com or leaving a comment on the blog.
Funbrain Poptropica The Game
Marco Travaglio
announced already that I will continue to inform readers not concealing anything that I know. Continue to publish, verbatim, in summary, the content or the way I turn, acts of investigation and wiretaps that I can get hold of, as I consider right and proper to serve the public. I will illiberal civil disobedience to this law and freedom. At the risk of ending up in jail, pay fines, to be fired. At the first trial will suffer, I will ask the court to plead before the European Court of consultation and the illegality of the new law in relation to Article 21 of the Constitution and Article 10 of the European Convention on Human Rights and Fundamental Freedoms ("Every person has the right to freedom of expression. This right shall include freedom freedom to hold opinions and to receive and impart information and ideas without interference by public authority ... ", with possible restrictions only in the case of information" confidential "or harmful to the safety and reputation). I hope that other colleagues autodenuncino advance with me and the Press Federation, the Union reporters, the association Articolo21, as well as readers, to support us in this fight for freedom. Disobedient to inform. Arrests us all.
Marco Travaglio 
announced already that I will continue to inform readers not concealing anything that I know. Continue to publish, verbatim, in summary, the content or the way I turn, acts of investigation and wiretaps that I can get hold of, as I consider right and proper to serve the public. I will illiberal civil disobedience to this law and freedom. At the risk of ending up in jail, pay fines, to be fired. At the first trial will suffer, I will ask the court to plead before the European Court of consultation and the illegality of the new law in relation to Article 21 of the Constitution and Article 10 of the European Convention on Human Rights and Fundamental Freedoms ("Every person has the right to freedom of expression. This right shall include freedom freedom to hold opinions and to receive and impart information and ideas without interference by public authority ... ", with possible restrictions only in the case of information" confidential "or harmful to the safety and reputation). I hope that other colleagues autodenuncino advance with me and the Press Federation, the Union reporters, the association Articolo21, as well as readers, to support us in this fight for freedom. Disobedient to inform. Arrests us all.
Marco Travaglio
Weave Queens New York
ENZO DOLPHIN PUBLISHING EDITOR
The Enzo Dolphin Publisher is a young publishing house founded in September 2007 by the confluence long-term experience and knowledge in the field of publishing, with the intention of dealing with the scientific literature, fiction and nonfiction, but especially to give voice to new languages, music, cinema, sports photography.
Looking for stories and new voices, it also offers courses and workshops with a view to developing new talent through dialogue, imagination, technique, bringing them closer in substance to the publishing world and the practice of writing. This is why we provide training to future professionals in the industry, providing also a wide range of professional publishing services that enable to combine creativity and choices of young offenders with the needs of the publishing market.Space, then, for aspiring writers, providing support and advice on their work skills.
In a country where the law seems almost antithetical to open a publishing house?
"This is where part of our challenge: to get closer to those who see in the book escape highbrow, an institution as a library, a pastime now anachronistic and far from our awareness. This is because to push is the belief that literature is not may be alien to the consciousness of real change, new perspectives introduced by the media and progress ever more pervasive. The fourth dimension, that of time which is recurrent, subjective time that belongs to us without rigid structure, is often alien to the life of the novels.
We want to give this opportunity, creating books that speak of / to our time, attentive to the formal structures become as prevalent, but not uniche.Ogni book, we believe, is an exchange.
We will not simply be "builders" of volumes, but us with pages and ink bridge between the reader and the writer, fouling of the everyday world of abstract words.
Even our courses pursue this ambition: to interact experiences, words, passion, and culture. What makes a book alive. All this talk is technical publishing, with courses in QuarkXpress and editorial concepts and basic graphics, both of writing, to the artistic excellence, but must be governed by the weapons of the trade and feeds on different references and different story-telling ability. Creative writing, as we understand it, is not only a series of exercises of style and image pigeonholed, but also a tool for learning to read. Graffiti dark eye of the camera, the ultimate goal is to own all the languages \u200b\u200bthat best express the reality around soaked and filtered by their idee.Poiché all knowledge starts from the perception. "
More info and insights the following link: http://www.enzodelfinoeditore.it/
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